Tagesoterica

Red Star Over Shambhala

“On his way across the wastes of Mongolia in 1921, Polish writer and refugee Ferdinand Ossendowski witnessed some strange behaviour on the part of his Mongol guides. Stopping their camels in the middle of nowhere, they began to pray in great earnestness while a strange hush fell over the animals and everything around. The Mongols later explained that this ritual happened whenever ‘the King of the World in his subterranean palace prays and searches out the destiny of all people on Earth.’

From assorted lamas, Ossendowski learned that this King of the World was ruler of a mysterious, but supposedly very real, kingdom, ‘Agharti.’ In Agharti, he was told, ‘the learned Panditas [masters of Buddhist arts and sciences] write on tablets of stone all the science of our planet and of the other worlds.’ Whoever gained access to the underground realm would have access to incredible knowledge – and power. Ossendowski was not exactly a casual listener. As noted in a previous article [The ‘Bloody’ Baron von Ungern-Sternberg: Madman or Mystic?, New Dawn No. 108 (May-June 2008)], during 1921 he would become a key adviser to ‘Mad Baron’ Roman von Ungern-Sternberg who established a short-lived regime in the Outer Mongolian capital of Urga. A self-proclaimed warrior Buddhist who dreamed of leading a holy war in Asia, the Baron allegedly tried to contact the ‘King of the World’ in hopes of furthering his scheme.

Ossendowski’s credibility later was assailed by the likes of Swedish explorer Sven Hedin. Among other things, Hedin accused the Pole of plagiarising the story of Agarthi from an earlier work by French esotericist Joseph Alexandre St.-Yves d’Alveydre. To one extent or another, that probably was true, but Hedin, a veteran seeker after lost cities, did not dismiss the possibility of a hidden Kingdom; indeed, he likely harboured the aim of finding it himself. In any event, Ossendowski did not invent the story of a fabulous land secreted somewhere in – or under – the vastness of Central Asia, be it called Agharti, Agarttha, Shangri-la, or, most commonly, Shambhala. Some believed it to be a physical, subterranean realm inhabited by an ancient, advanced race, while to others it was a spiritual dimension accessible only to the enlightened.”

(via New Dawn Magazine)

Esoteric Star Wars

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Here’s an interesting blog on the esoteric symbolism of Star Wars:

“Star Wars is religion. In many ways it could be said that Star Wars is my religion. I grew up in an environment that fostered free thinking and self-determination on metaphysical matters. I was four years old when the film that became “Star Wars Episode I: A New Hope” was released. Not only is seeing “Star Wars” amongst my earliest memories, but the anticipation of seeing Star Wars, because my older brother saw it first, and his reaction led me to believe it was something very special (he was seven). Maybe the greatest thing ever. And when you’re four its easy to have your expectations met and even exceeded.[..]

[..] I am by no means the first individual to delve into the deeper philosophical aspects of Star Wars. Many have done so and many more will, some from a position of irony and some dead serious, some scholarly and academic. Various insights, observations, interpretations and even parodies will be addressed in what takes place here, those I find interesting, pertinent or otherwise noteworthy that is, and I will always credit and link to my sources to the best of my ability. [..]

[..] If you’re not sure what I mean by “esoteric symbolism”, I use it to refer to symbolism that is hidden, secretive or otherwise not readily apparent. These are my observations and insights, and a lot of what I talk about may not be deemed “canonical”. You very well may disagree with me. Sometimes esoteric symbols are purposeful and sometimes they are a matter of happenstance. It’s not always possible to tell the difference, and to my way of thinking the intent is not the primary point of interest in all cases. What will become clear, and I hope to make this case, is that George Lucas utilized many story telling techniques in crafting his epics, including occult symbolism to a degree that does not allow for the accidental.”

(Esoteric Star Wars. h/t: Dedroidify)

(Related: The occult secrets of “Lost” via Hatch 23)

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