The New York Times has a profile of Karen Berger, the editor of Vertigo Comics. Berger announced earlier this year that she is leaving Vertigo. The Times has no update on what she’s doing next.
For the roster of artists she leaves behind, Ms. Berger’s exit raises questions about the future of Vertigo and where its renegade spirit fits into an industry and a company that seem increasingly focused on superhero characters who can be spun off into movies and TV shows.
“It’s really hard to tell at this stage,” said Mr. Gaiman, a best-selling novelist and fiction writer who was scouted by Ms. Berger in the 1980s. “That was DC Comics, now we have DC Entertainment. It is a different beast, being run by different people.”
Sitting in a DC conference room a few days ago and surrounded by shelves of Vertigo titles that she published, Ms. Berger, a soft-spoken woman of 55, said she quit to pursue new challenges. “It’s time to ply my storytelling skills elsewhere,” she said. […]
Comic sales have fallen off substantially, Mr. Morrison said, and the qualities that defined Vertigo’s titles have become widely imitated. They have “bled into the mainstream in such a way that you almost didn’t need it anymore.”
Mr. Morrison said he could still remember when his Vertigo series “Sebastian O,” about an assassin in Victorian-era England, sold about 90,000 copies of its first issue in 1993 — a modest quantity that would make it a Top 10 best seller in 2013. (DC said it doesn’t provide sales figures.)
There is no one who shaped my tastes more than Berger. I can’t wait to see what she does next.