Pop Thought interview Morrison on the craft of writing:

I wrote The Invisibles Vol 1 issue 23 on my living room couch, hallucinating, and dying of MRSA-related septicaemia, (those cranky descriptions of demons and the crystal crown biting into Mister Six’s head and the Gnostic Christ saying ‘I am not the God of your fathers…’ were scrawled notes from the delirious no-man’s land between life and giving up) and the following issue was written from a hospital ward, waiting to hear if the near-fatal staph aureus infection I’d contracted had spread to my heart. I was there for two weeks, working as often as I could between tests and treatment, with the intention of writing myself out of trouble (as a mad sidebar, after beating off the infection with the aid of antibiotics, I became inexplicably obsessed with eating raw carrots for the remainder of my stay in hospital – only to find out last week that staph aureus – ‘golden’ staphylococcus – gets its distinctive color from carotene. I must have been so stuffed to the fucking guts with carotene-pigmented bastards when the bacteria was swarming through me that I went into withdrawal for the stuff when the bugs were finally wiped out!).

And Silver Bullet interviews him about his current and future DC projects:

I’m armpit-deep in the “52” project which I’m plotting and writing along with Geoff Johns, Mark Waid, Greg Rucka and Keith Giffen with JG Jones on covers, I see this project as the first ‘album’ from DCs first creative ‘super group’ and it’s been the most fun I’ve had in this business to date. I just got back from a series of incredible creative summits in New York and couldn’t believe the energy, imagination and refreshing lack of prima donna ego bullshit on show. “52” is being planned meticulously and written like a TV drama. Based on the material we’ve got so far, I think this project will break new ground for mainstream comics and I can’t imagine any other company being capable of anything like it right now, so it’s going to be very unique and absorbing read, squeezing down four years of continuity into one. It’s the first real, full-length ‘graphic novel’ about superheroes and is likely to change the way we think of what can be done with them.