My favorite album of the year thus far is Portland trio Bruxa‘s new album Victimeyez. It’s an occult informed dark hip hop album, with tastes of electro, chopped and screwed, witch-house and dubstep thrown in. They call it witchstep.
The digital version Victimeyez is free to download and was released by Mishka, a streetwear company in New York City that also puts out some Pyschic TV merch. A cassette release will follow from Sweating Tapes, the label that released their debut EP Eye On Everybody last year.
They’re from Portland, but I have no idea who they are. I randomly stumbled across their first EP on Bandcamp and was hooked — it was my second favorite album of 2011 (after Zomby’s Dedication). Discovering Sweating Tapes set me down a rabbit hole of Portland-based dark electronic scene that I had no idea existed.
“Over the centuries, many in the British Isles have appealed to witches in times of need–to cure a toothache, concoct a love potion, or curse a neighbor. Witchcraft, the rituals of a number of pagan belief systems, was thought to offer control of the world through rites and incantations. Common as it has been over the past several centuries, the practice is secretive and there are few written records. It tends to be passed down through families and never revealed to outsiders. But archaeologist Jacqui Wood has unearthed evidence of more than 40 witchy rituals beneath her own front yard, bringing to light an unknown branch of witchcraft possibly still practiced today.
Wood’s home is in the hamlet of Saveock Water in Cornwall, a county tucked in the far southwest corner of the country. For thousands of years people have raised crops and livestock in its fertile valleys, and its coastline of dramatic cliffs, secluded coves, and pounding surf was once a haunt for smugglers. Cornwall is a place time forgot; steeped in folklore, myth, and legend; and purported to be inhabited by pixies, fairies, and elves. So it should come as no surprise that it has also been home to the dark arts.
When I visit Saveock Water it is raining, which adds to its unearthly atmosphere. Wood, a warm lady with sparkling hazel eyes, greets me in her cozy white-washed barn while rain hammers on the roof. She moved to Saveock Water 15 years ago because it was an ideal location for her work in experimental archaeology, replicating ancient techniques, including those used in farming or metallurgy. Since then she has carried out her experiments, such as growing ancient crop varieties, unaware of what lay under her fields. In the late 1990s, Wood decided to do some metalwork research by re-creating an ancient kind of furnace. “I dug down into the ground to construct a shelter close to the furnace and I discovered a clay floor,” she says.”
The Malleus Maleficarum (The Witch Hammer), first published in 1486, is arguably one of the most infamous books ever written, due primarily to its position and regard during the Middle Ages. It served as a guidebook for Inquisitors during the Inquisition, and was designed to aid them in the identification, prosecution, and dispatching of Witches. It set forth, as well, many of the modern misconceptions and fears concerning witches and the influence of witchcraft.