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Occult Secrets Of the Avant-Garde

From a “document presented to individuals who have been invited to join the Neoist Alliance,” probably from early 1990s:

Anyone who has allowed the scales to fall from their eyes can see that the world’s top occultists are to be found among the ruling class and that those New Age groups who attract disciples by offering training in ‘chaos magick’, ‘creative visualisation’ or ‘rubbing the Buddha for money’, are worse than mere rank amateurs, they are shameless charlatans. Indeed, many of them are quite consciously working to prevent the development of a system of symbol manipulation that is completely autonomous of the state. Currently, Masonry is marshalled in defence of the status quo, but as the Bavarian Illuminati demonstrated in the eighteenth-century, power always flows in two directions and it rarely emanates from what is widely misperceived as constituting the ‘centre’. The cellular form of secret societies devised by the founders for the security of the movement, can as readily be used to hoodwink the leadership, who thus become unwitting front men for activities they would never countenance. By infiltrating the Lodges of Masonry, it is possible to spread a heretical message of freedom across the world.

Stewart Home Society: Occult Secrets Of the Avant-Garde

Not that there’s much power in the lodges these days. But the organizational model is still alive and well at the The Church of Jesus Christ of Latter-day Saints (aka the Mormon Church). Alcoholics Anonymous is pretty interesting as well.

Previously: Occult Battles On The Streets Of London, 1993

Occult Battles On The Streets Of London, 1993

The Neoist Alliance attempts to levitate the  Pavilion Theatre in protest of Ian Stuart's performance of Karlheinz Stockhausen's Harlequin

In 1993 the Neoist Alliance protested Ian Stuart’s performance of Karlheinz Stockhausen‘s Harlequin, promising to levitate the Pavilion Theatre 25 feet off the ground. Thee Temple Ov Psychic Youth (TOPY), however, lead a counter protest to stop the levitation, concerned that the levitation could create “a negative vortex would be created which could seriously damage the ozone layer.”

As the handful of individuals who’d decided to cross the picket line arrived for the concert, they were met with chants of ‘Boycott Stockhausen’ from our ranks, to which the TOPY activists replied with cries of ‘Stop The Levitation’. The counter-demonstrators pleaded with concert-goers to remain outside the building so that they could participate in a set of breathing and visualisation exercises designed to prevent the levitation. Once the concert began, the two sets of demonstrators prepared themselves for a psychic battle outside the theatre. These street actions drew a far larger crowd than the Ian Stuart recital inside the building. Passers-by were reluctant to step in front of the waves of psychic energy we were generating and soon much of the street was at a standstill. The Brighton and Hove Leader of 20/5/93 quoted one shaken concert-goer as saying, ‘I definitely felt my chair move. It shook for a minute and then stopped.’ The Neoist Alliance also received reports of toilets overflowing and electrical equipment short-circuiting, although these went unreported by the press.

While TOPY were adamant that their actions prevented the Pavilion Theatre being raised 25 feet into the air, the Neoist Alliance considers the protest to have been a complete success.

Full Story: The Stewart Home Society: OUR TACTICS AGAINST STOCKHAUSEN

(via Peter Bebergal)

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