Zheng Yi Sao, 19th centry female pirate
Zheng Yi Sao, 19th centry female pirate

Jess Nevins wrote an article on “the problem with Asian steampunk.” Nevins points out that most people default to ninjas, samurai and geishas when they try to do Asian steampunk, but there’s a much richer world of possibilities. “Pirates, submarine captains, hard-boiled reporters, female private detectives… these are all part of east Asian history and popular culture in the steampunk era. Steampunk writers and cosplayers, expand your horizons!”

Here are some examples:

  • Zeppelin pirates are a staple of steampunk, but nautical pirates were a reality in the waters of Southeast Asia. Notable among these were the female pirates, from Zheng Yi Sao and Cai Qian in the beginning of the 19th century to Lo Hon Cho and Lai Choi San in the early part of the 20th century. These women were captains and admirals, commanding dozens of ships and leading them into battle from the front, gaining reputations as fierce fighters. According to a contemporary Chinese account Cai Qian Ma even commanded ships with crews of niangzijun, “women warriors.”
  • The hardboiled, crime-solving reporter was a part of Western mystery fiction from the 1880s, but in real life there were large numbers of reporters just like that in China, especially Shanghai, where the competition between newspapers was intense and reporters and editors did anything they could for a hot scoop. These newspapers were modeled on American and English newspapers, and though many of them were aimed at the Europeans in China, some were written by Chinese for Chinese.
  • Roguish treasure-hunters need not automatically be white. Since the 11th century there has been a tradition among Nyingma Buddhists in Bhutan and Tibet of a special class of lamas, the gter-ston or “treasure hunters,” who “discover” gter-ma (scriptural treasures) which have supposedly been hidden away during the Buddha’s lifetime so that they can be found and revealed to the world at a foreordained time. The gter-ston were active through the 19th century, and while some were genuine many were fraudulent.

TOR: The Problem With “Asian Steampunk”