Tagluddism

Hakim Bey Interview From 2010

From e-flux journal 2010:

Well, when I was a child I was of course fascinated by adventure stories, figures like Richard Halliburton and other world travelers who wrote books for children, and National Geographic magazine—I inherited a whole closet full of National Geographic issues going back to 1911 from a friend. And then when I grew up, I became interested in Eastern Mysticism, the way everybody began to be in the 1960s. I specifically wondered whether Sufism was still a living reality or whether it was just something in books. There was no way of telling at that time. There were no Sufis practicing in America, or at least none that we could discover. I was a conscientious objector during the Vietnam War, and then we had May ’68, and that revolution failed. It clearly wasn’t going to happen. So I decided to make my trip to the East and discover whether Sufism was a living reality or not. And, of course, it turned out that it was. And so were a lot of other things that I hadn’t even anticipated, like tantric Hinduism, which I also became fascinated by while I was in India. So that all lasted from 1968 to 1980 or ‘81, when I went to Southeast Asia. I also went to Indonesia for a short, but very influential, trip. And after 1970 I lived in Iran, where I wrote criticism for the Shiraz Festival of the Arts. That’s how I got to meet Peter Brook and Robert Wilson and all the people that I later worked with or was influenced by. I also met an Indonesian artist named Sardono Kusumo, who I later found again in Jakarta when I was traveling in Southeast Asia. He gave me the names and addresses of all these uncles everywhere in Java who were all involved in dance, puppetry, or mysticism; a fantastic family. So I traveled around Java from uncle to uncle, and performance to performance. And they have a special kind of mysticism there called Kebatinan, which is kind of like Sufism but not quite. It’s different, and it would take a long time to explain why.

And on the internet:

Well, I have to admit that, like everybody else in the 1980s, I was much more optimistic about these things. And in some of my writing I may have given the impression that I would become some sort of cyber libertarian. I have many friends in that camp, but then as time went on, I became more of a Luddite. I believe that technology should not consist of an attack on the social. And if you think about the symptom that everybody talks about, the loss of privacy, or even the redefinition of what privacy could possibly be, well, I see this as an actual attack on society. And it’s interesting that it comes at the same time as Thatcher saying that there is no such thing as society. It’s an ideological move against the social. And it’s not for the glorification of the individual, either. To me, the individual also loses in this formula. But it’s primarily meant to break society down into individual consumer entities, because that’s what money wants. Capital itself wants everyone to have everything. It doesn’t want you to share your car with anyone, it wants each person to have their own. And by the way, the US has achieved this—we now have one car for every adult in the country. Capital wants everybody to have to own everything, and to share nothing. And the social result of this is ghastly. It’s scary, frightening. For me it’s apocalyptic.

Full Story: e-flux: In Conversation with Hakim Bey

New From Hakim Bey/Peter Lamborn Wilson: Back to 1911 Movement Manifesto (Updated)

New(ish) material from Peter Lamborn Wilson (aka Hakim Bey), published in the Spring 2012 issue of Fifth Estate:

Reversion to 1911 would constitute a perfect first step for a 21st century neo-Luddite movement. Living in 1911 means using technology and culture only up to that point and no further, or as little as possible.

For example, you can have a player-piano and phonograph, but no radio or TV; an ice-box, but not a refrigerator; an ocean liner, but not an aeroplane, electric fans, but no air conditioner.

You dress 1911. You can have a telephone. You can even have a car, ideally an electric. Someday, someone will make replicas of the 1911 “Grandma Duck” Detroit Electric, one of the most beautiful cars ever designed.

1911 was a great year for Modernism, Expressionism, Symbolism, Rosicrucianism, anarcho- syndicalism and Individualism, vegetarian lebensreform, and Nietzschean cosmic consciousness, but it was also the last great Edwardian year, the twilight of British Empire and last decadent gilded moments of Manchu, Austro-Hungarian, German, Russian, French and Ottoman monarchy; last “old days” before the hideous 20th century really got going.

The next step backward would be to join the Amish and other Old Order Anabaptists in 1907 — no telephones, no electricity at all, and no internal combustion. With this move, the battle would virtually be won. The next generation would be able to make the transition to no metal — the neo-neolithic. Arcadian pastoralism.

After that a dizzying sliding spiral back into — illiteracy. Oral/aural culture. Classless tribal anarchy. Democratic shamanism. The Gift. This would be the ultimate Luddite goal. But the first step will be back to 1911.

Full Story: Autonomedia: Peter Lamborn Wilson, “Back to 1911”

And people told me quitting most Google services was extreme 😉

(via the newly rejuvenated Aurthur Magazine Twitter account)

Update: It turns out this is an excerpt from a longer manifesto first published by OVO in November 2011:

Back to 1911 Movement Manifesto: Music

Back to 1911 Movement Manifesto: On (Type) Writing

Back to 1911 Movement Manifesto: Energy

Back to 1911 Movement Manifesto: Photography

Back to 1911 Movement Manifesto: Telephone

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