Yeah, Hello? Uh, if you’re there pick up, okay listen it’s Alan calling, Alan from Earth. You probably don’t remember, it’s over in the western spiral of the Milky Way although obviously you might have named it after a completely different brand of chocolate. Basically just find the Oort Cloud and ask for directions from there. Anyway just calling to catch up. We’re doing alright with the carbon base lifeform thing. Kids are diversifying nicely, going through a bit of a fad for spines and brains at the minute but it’s probably the same where you are. Well, that’s about it really, we just hadn’t heard from you in a while, like when we killed Michael Rennee or Klaatu a you knew him in The Day The Earth Stood Still. So if you received this, get in touch, but actually thinking about it, don’t bother calling after about, what, 2150, because I’m not expecting anyone to be in. Oh and I’m sending this song along it’s called God Song by Robert Wyatt. I hope you like it. And that you don’t communicate through perfume or minor variatrions in your sense of balance or something. Okay, you take care and I’ll talk to you soon. Love you, Bye.
Obama’s early pieces primarily played with structure: Our Long-Term Strategy In Afghanistan employs Brion Gysin’s cut-up technique to reorder the words in a major speech on foreign policy, eventually creating a shocking sound collage that, according to the White House, reveals “a truth previously buried beneath layers of intent.” […]
Nonetheless, a number of critics have embraced Obama’s edgier productions. Artforum magazine referred to Obama’s oeuvre as “a winking indictment of the institution of the presidency from none other than the president himself,” and cited in particular his wildlife conservation video Meat Play as “the direction the office needs to go in if the executive branch is to remain relevant.”