Caitlin Wood’s 2014 edited volume Criptiques consists of 25 articles, essays, poems, songs, or stories, primarily in the first person, all of which are written from disabled people’s perspectives. Both the titles and the content are meant to be provocative and challenging to the reader, and especially if that reader is not, themselves, disabled. As editor Caitlin Wood puts it in the introduction, Criptiques is “a daring space,” designed to allow disabled people to create and inhabit their own feelings and expressions of their lived experiences. As such, there’s no single methodology or style, here, and many of the perspectives contrast or even conflict with each other in their intentions and recommendations.
The 1965 translation of Frantz Fanon’s A Dying Colonialism, on the other hand, is a single coherent text exploring the clinical psychological and sociological implications of the Algerian Revolution. Fanon uses soldiers’ first person accounts, as well as his own psychological and medical training, to explore the impact of the war and its tactics on the individual psychologies, the familial relationships, and the social dynamics of the Algerian people, arguing that the damage and horrors of war and colonialism have placed the Algerians and the French in a new relational mode.
[Image: A copy of the 1961 paperback edition of Frantz Fanon’s A Dying Colonialism, featuring a sea of dark-skinned people with upraised hands, coloured in diagonal bands of orange, red, and magenta.]
