[Editor’s Note: This blog entry is an edited and modified version of a portion of this week’s newsletter, so if you received that, feel free to skip this.]
Coheed & Cambria – [The Velourium Camper III: Al the Killer]— We’ll be doing a thing, this week, that I used to do in the old days, back when LiveJournal was a thing. I took the “Current Music” tag pretty seriously, back then, you see, and I would pretty much always be listening to a rather large playlist on random/shuffle, and whenever the song changed I would. (Screamin’ Jay Hawkins – [I Put a Spell on You]). Note it. Voilà.
So we’re going to do that, this time around.
I also bought myself a copy of Fiona Apple’s Extraordinary Machine, for my birthday. That’ll become pertinent, later, but for now it’s just coincident that there have been a great many articles and thinkpieces about machine intelligence, this week, including some more fun pronouncements about “killer robots” from Hawking, Musk, and now Steve Wozniak. (Nine Inch Nails – 3 Ghosts I). It’s difficult, at times like these, to not just print out things I’ve said on a sandwich board and wander around with a megaphone, screaming like some kind of prophet of not-doom.
“GET YOUR SHIT TOGETHER AND BE BETTER PARENTS AND STEWARDS AND MAYBE YOU WON’T HAVE THIS PROBLEM!”
“STOP FUCKING EACH OTHER OVER FOR A PERCENTAGE AND MAYBE YOUR CHILDREN’S CHILDREN WILL LIVE TO SEE THE LIGHT OF A DIFFERENT SUN!”
That kind of thing.
Nick Cave & The Bad Seeds – [What a Wonderful World]— I think what makes this all the worse is that I’m really stoked about this “Teaching-Robots-Jazz” idea, and that makes the glaring failures of imagination in re: change and adaptation all the worse, in the end.
Likely none of this is helped by the fact that I finally saw Ex Machina (Kirsten got me a copy for my birthday; coinciding), and it was almost exactly the film I would have made. Almost.
Weezer – [The World Has Turned and Left Me Here]— One thing about doing the music notation is, you can see how often I pause to do something else while I’m writing these.
So let’s cut to it and, talk about Divination.
Radiohead – [Backdrifts (Honeymoon Is Over)]— Divination is best understood as a process of gaining information from the conjunction of symbolically meaningful signs, omens, or portents. The flight of birds, the coil and overlap and colour of intestines of certain animals at particular times of day, the way three coins or sticks or leaves fall, in relation to each other. Divinatory practices are languages with grammars, and those languages have dialects and those dialects have slang, and each one means something in its larger context, yes, but also has something very specific to say about the kind of thing it is and what it can do. Dr Karen Gregory has some really interesting and useful thoughts on divination and its place in sociological history.
Divination can be used to talk about the future, or the past, or the present. Carl Jung believed that all we were doing in divination was using a psychologically potent symbol system to tell us things we already knew, in a method that we’d actually listen to and understand. Or at least that’s what he most often claimed in public.
Patsy Cline – [Sweet Dreams]— Jung was a Tarot and I Ching kind of guy. Liked the cards and coins and sticks, and thought that the more resonant and primal the better for the purpose of understanding what the unconscious knew but couldn’t directly say. (Aesop Rock – [Coffee] Good idea…). So we’re talking about resonance. Emotional resonance, mental resonance, things that hit you right in your gut, things that engage intellectuality, sure, but aim for your feels. So let’s talk about music.
The hidden track on this song, for instance, makes me think about things going on this week (month, year, century, epoch) that I don’t want to raise my blood pressure about, right now, so we’re skipping it and going to…
Avenue Q Original Cast – [Everyone’s a Little Bit Racist]— …Be confronted with the exact same thing, in a tauntingly humourous context. Hm.
Welp. Still, I wanted to make a point so here it is: Divination, scrying, applied synchronicity, pronoia, directed apophenia, it all comes down to the determination of patterns from seemingly unconnected instances. Drawing pictures in clouds, and then living your life by what they have to say. Like that one episode of Avatar: The Last Airbender.
Childish Gambino – Unnecessary (ft. Schoolboy Q and Ab-Soul) {prod. Childish Gambino}— Put it down to confirmation bias if it fits, but the longer you live your life in this way, the more things start to take on that kind of “Fertility of Meaning.” Our experiences conform to our expectations, regardless of the sources of either.
The Darkest of the Hillside Thickets – [Shoggoths Away]—Now Kieron Gillen and Jamie McKelvie introduced the word “Phonomancy,” to the wider world in their groundbreaking Phonogram series, but if you’re still unfamiliar, just know that it’s a word that means what it says on the label: Magick via sound. (Mike Geier – [12oz Mouse Jazz Theme]). It’s most often specifically used to mean magick via music, and this is where the whole thing comes together.
Electric Hellfire Club – [Whores of Babylon]— The basic idea behind Phonomantic Divination is really pretty simple: Open the music player of your preference, load all of your music into it, repeatedly click Shuffle/Random while thinking of a question, then listen to whatever songs play, relating them to you and each other. I do mine in the style of a tarot Celtic Cross, which requires 10 Songs, and I tend to listen to each song all the way through, before moving on.
µ-Ziq – Gruber’s Mandolin—If you’re unfamiliar with the tarot, the Celtic cross looks like this:
And I tend to think of each position as:
1) Me As I See Myself:
2) Immediate Influence:
3) Goal:
4) Recent Past:
5) Further Past:
6) Near Future:
7) Me As Others See Me:
8) Further Future:
9) Emotional/Mental State:
10) Ultimate Outcome:
The Chemical Brothers – [Block Rockin’ Beats]— I like this format because it more easily puts everything in an individual and intercontextual significance, but you should use whatever feels most comfortable to you.
You could throw shuffles on three open instances of your music player six times and do an I Ching thing. You could assign each song a value and then do complicated math to get rune values. You could write down lyrics on paper, burn that paper, and read the smoke. Whatever. After all, this is about finding a symbolic system with emotional resonance to you and using it to probe the depths of your psyche.
Flogging Molly – [May the Living Be Dead (In Our Wake)]— Or it’s about using ancient mystical secrets and new technologies to tell you about the shape of the future. Whichever.
All I know is, I’ve been trying to figure out a way to map divinatory practices onto my DVD collection, for years, and I still haven’t sorted it out. Honestly, it’s a large portion of why I want Netflix to institute a feature where they give you a (pseudo)randomly selected episode or movie from your lists and preferences and maybe even its algorithmic discernments about your tastes. I also think it could really be the last nail in the Traditional-TV-vs-Netflix/Hulu/Etc competition, because it’d effectively replicate channel surfing.
That’d be really nice.
Brianna Olson uses Twitter for what looks like a kind of divination, very often. She’ll get a word or phrase or concept in her head, and plug it into the search function, and retweet what comes out. Fascinating process.
Nine Inch Nails – [Closer]— Final thoughts: Kirsten bought me Ex Machina for my birthday, I bought myself a copy of Extraordinary Machine, and I still think Carl Jung would’ve really loved Twitter.
Until next time.
