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From back in 2014, here’s this look at the process of alchemy, and some of the things it did for contemporary chemistry and materials science:
…in the 1980s, some revisionist scholars began arguing that alchemists actually made significant contributions to the development of science. Historians of science began deciphering alchemical texts—which wasn’t easy. The alchemists, obsessed with secrecy, deliberately described their experiments in metaphorical terms laden with obscure references to mythology and history. For instance, text that describes a “cold dragon” who “creeps in and out of the caves” was code for saltpeter (potassium nitrate)—a crystalline substance found on cave walls that tastes cool on the tongue.
This painstaking process of decoding allowed researchers, for the first time, to attempt ambitious alchemical experiments. Lawrence Principe, a chemist and science historian at Johns Hopkins University, cobbled together obscure texts and scraps of 17th-century laboratory notebooks to reconstruct a recipe to grow a “Philosophers’ Tree” from a seed of gold. Supposedly this tree was a precursor to the more celebrated and elusive Philosopher’s Stone, which would be able to transmute metals into gold. The use of gold to make more gold would have seemed entirely logical to alchemists, Principe explains, like using germs of wheat to grow an entire field of wheat.
Principe mixed specially prepared mercury and gold into a buttery lump at the bottom of a flask. Then he buried the sealed flask in a heated sand bath in his laboratory.
One morning, Principe came into the lab to discover to his “utter disbelief” that the flask was filled with “a glittering and fully formed tree” of gold. The mixture of metals had grown upward into a structure resembling coral or the branching canopy of a tree minus the leaves.
Though best not to discount the usefulness of dreams in the advancement of science, as the Principe does later. Francis Crick, Friedrich August Kekulé (whose dream, oddly enough, was of snakes of fire devouring their own tails), and Carl Jung (a proponent of Alchemy’s psychological efficacy) would all take umbrage.
Read the full article here: http://www.smithsonianmag.com/science-nature/alchemy-may-not-been-pseudoscience-we-thought-it-was-180949430/
As technology embeds itself ever deeper into our lives, the strange relationship between magic and technology is finally gaining widespread attention.
There was the Magick Codes conference late last year, then the Haunted Machines event in Manchester earlier this year, and most recently a panel dedicated to magic and tech at Theorizing the Web in New York last April. Warren Ellis just published a book of talks, and they’re shot through with thinking about magic and myth and their role in technology.
We’re only at the beginning of a series of new conversations about all of this, and Technoccult should be at the forefront of these discussions. I mean, it’s right there in the name. It’s as if finally, after all these years, the site’s moment has finally come. But I’m not the right person to lead the site into these conversations.
That’s why Damien Williams, known to many of you as Wolven, is taking over Technoccult, effective immediately. This will be my last post as editor of the site.
Damien has been writing and speaking about the intersection of magic and technology for years. There are other big names in the current conversation, but few people — if any — have Damien’s track record for covering this topic. And what’s more, he’s a good friend. I can’t wait to see what he does with the site.
Why the change?
Short explanation: As I’ve gotten busier with other work and lost interest in the occult, I’ve been thinking for a while about either shuttering Technoccult or going on some sort of extended hiatus. But after our Mindful Cyborgs interview, I realized it would make more sense to hand it off to Damien. We talked it over at Theorizing the Web in April and agreed that it makes sense for both of us, and for readers. I think of this as a continuation of the spirit of Technoccult rather than an end or shift in direction.
I started Technoccult over 15 years ago with the idea of doing a site in the same vein as Disinfo, but with more of a focus on arts and culture than politics and conspiracy theory. Obviously I’ve drifted considerably from those original intentions.
To be honest, I wasn’t even all that interested in the occult when I started the site. It seemed like a cool “cybergoth” sounding name. I had’t read The Invisibles. It was, in fact, learning that the name turned up in The Invisibles that made me read the comic, and start exploring the materials linked in Disinfo’s chaos magic dossier.
Discovering chaos magic and the works of Grant Morrison set me on a course that shaped my life for years to come. Key 23. PDX Occulture. EsoZone. It was through these channels that I met my wife. It was blogging on Technoccult that gave me the clips and confidence to land my first journalism job.
But it’s not my passion anymore. Partially that’s because my journalism career has left me with less time and energy to write here. And partially it’s because my interest in the occult and the constellation of other themes around it has waned. When I do write, it’s often about largely unrelated topics, like the environmental impact of almonds, the state of journalism, or why like to call my neighborhood “Columbia Ridge.” It’s as if Sports Illustrated stopped covering sports and decided to basically cover every other conceivable topic instead. Of course I’ll always maintain some interest in the occult and fringe topics, and I might even feel a calling to write about magic again in the near future. But it’s just not my main focus.
Yet I didn’t want to just let Technoccult die either. It’s outlived dozens of similarly themed sites over the years. Strangers have told me it’s their favorite site. I’ve tried to “rebrand” the site before and it hasn’t really worked out. It feels like it has a life of its own now.
So when I interviewed Damien a few months ago, something clicked. He writes about the intersection magic and technology, transhumanism, and the evolution of human consciousness. All the things that Technoccult readers keep telling me they want to read more about. I thought “why isn’t HE writing the site?” Then I realized: I should just let him take it over. It would give him a broader reach for his writing, give Technoccult readers more of what they’re looking for, and let me resign knowing the site is in good hands. Win-win-win.
Plus, his interest in pop culture analysis brings things full-circle back to the original idea behind Technoccult. Oh, and the first time I met Damien, he was wearing a Luxt shirt. I had Luxt on heavy rotation while I was cobbling together the original Technoccult site all those years ago.
I’m aware that although I’ve brought in other writers in the past, my voice has been the one consistent thing on the site, and that some of you might be happy to have me keep writing here, regardless of what I write about. Some of you might even prefer it. But overall I think Damien’s voice will be more of a continuation of the spirit of the site than mine at this point. And while he’ll surely bring a different perspective on a wide range of topics, I think we have compatible world views.
Yes, I could have just asked him to join the site as an additional contributor. But frankly my attempts at managing other writers have not gone well (and that’s completely my fault). Plus I can’t pay him, and it felt wrong to ask him to work for free on something that has sort of become my personal brand. The only thing that really made sense was to hand it off entirely.
I don’t know where exactly he’ll be taking the site. That’s up to him. I’ll be around in the background for the next few months trying to clean up the technical mess I’ve left. But editorially, it’s in his hands now.
What’s Next for Me
For now my focus will be my journalism work, co-hosting the Mindful Cyborgs podcast and researching the code literacy book I’ve thinking about writing, depending on how the research goes.
I’ve got tons of other ideas as well. Someday I’d like to do a print magazine, or maybe a zine hand printed by mimeograph. I’d love to start an old school dial-up BBS. I’ve still got a good start on a FATE-based pen-and-paper role playing game to finish, and that mutant history book I started researching ages ago. I have fiction ideas running out of my ears. I’ve been learning to draw and want to make a comic, and I’ve been learning to program and would love to make a video game. I have more Psychetect albums in me as well.
If you want to receive sporadic updates on what I’m up to, I’ve started a new newsletter that you can sign-up for here.
So long and thanks for all the Fnords!
Juan Ochoa revealed the first installment of Kook Komix today: Mister Probert in Etherland. Juan is working with Kook Science — which includes Technoccult alum Brendan Simpson — on this project.
Here’s some background on Probert, from Brendan:
Who was Mark Probert? By his own accounting, he was a drop-out and a drifter, skipping from the Merchant Marines to horse jockeying, serving a stint as hotel bellhop then as a Vaudevillian song-and-dance man, before finally settling into his role as a “Telegnostic from San Diego”. Mr. Probert is scarcely known today, but, in his time, his “sleeping psychic” mediumship was the prime link between the later days of California Spiritualism and the nascent Ufology of the post-war period, and he served as forerunner to all the Space Brother contactees who soared to prominence in the early years of the 1950s. Probert saw himself as ultimately a humble servant to outside forces, ever self-effacing, quite unlike many of those he later inspired, and alway offering all credit to the voices he believed he channelled, and to his partner and wife Irene Probert.
Full Story: Juan Ochoa: Mister Probert in Etherland
Good news from the Orlando Sentinel:
Kiera, 16, was a student at Bartow High School until last month when she was arrested after she mixed toilet bowl cleaner and aluminum foil in a water bottle on school grounds, a police report stated. She was arrested and faced felony charges for possessing a weapon on campus and discharging a destructive device.
She also was suspended from school and told she faced expulsion, according to her attorney, Larry Hardaway. He said she served a 10-day suspension and is now attending classes at an alternative school.
Her case drew national attention and outrage on Twitter and other social media sites, with many arguing both school and police overreacted. An online petition on her behalf has more than 195,000 signatures.
The office of State Attorney Jerry Hill, whose jurisdiction includes Polk, said that it extended “an offer of diversion of prosecution to the child.” That typically means a probationary-like program that allows the youngster to perform community service or meet other conditions and then avoid a criminal record.
From the blog’s description:
The objective of this blog its to post music related with Ritual music, in traditional ethnic way or on Modern side, Ambient, Tribal, Drone, Field Recordings, Dungeon Synth etc. with a strong inspier in NATURE and is cycles.
There will be a predominance of Ritual Ambient music, a sub-genre of dark ambient.
Science Daily reports:
Scholars at Brigham Young University and Princeton examined whether women speak less than men when a group collaborates to solve a problem. In most groups that they studied, the time that women spoke was significantly less than their proportional representation — amounting to less than 75 percent of the time that men spoke. […]
There is an exception to this rule of gender participation, however. The time inequality disappeared when researchers instructed participants to decide by a unanimous vote instead of majority rule.
Results showed that the consensus-building approach was particularly empowering for women who were outnumbered by men in their group. Study co-author Tali Mendelberg of Princeton says these findings apply to many different settings.
Elijah Brubaker is the writer and artist of Reich, a biography of Wilhelm Reich in comic form. Reich (1897 – 1957) was an Austrian psychotherapist known for his theory of character analysis. He fled Nazi Germany in 1938 and came to the U.S. where became obsessed with orgone, which he claimed was a universal energy. He also began developing technology based on orgone, including the orgone accumulator, which he believed could cure cancer, and the cloudbuster, which he believed could make it rain. He was eventually arrested for medical fraud and died in prison.
Reich is published by Sparkplug Books and is available in fine comic shops or directly from Sparkplug. You can read the first few issues online here.
This interview was filmed back in 2008 for Technoccult TV, but the audio and video were too corrupted for release. I managed to transcribe most of the interview, so here it is at long last.
Klint Finley: So you do a comic about Wilhelm Reich, were you involved in Reichian therapy before you started the comic?
Elijah Brubaker: No, I wasn’t involved in the therapy at all. I had read about Reich kind of anecdotally through William Burroughs. And he just seemed like this cool crazy guy, and he’s a great thing to talk about to your friends who don’t know about him. I just like to talk about esoteric bullshit at parties. My interest kind of grew after I read several biographies of him and I started looking at him as more of a person, so my interest comes from the compassionate part of it now. It started as “Ha ha ha, there’s this crazy quack” Now I feel like I’m a crazy quack too.
That really shows in the comic. You don’t vilify him or idolize him. It’s a really human portrayal of him. I think it’s generally sympathetic towards him, was that your intent?
Yeah, just today I was reading the back of a biography of Ayn Rand. And there was a pull quote on the back that said that the people who lionize her and demonize her equally do a disservice by dehumanizing her. That’s how I feel with Reich, he’s such a controversial figure that people don’t really look at him as human anymore, he’s just this series of events that happened or a series of ideas. They either agree or disagree and everyone has a strong opinion about it, but it’s not coming from a very humanistic point of view I guess.
How long did it take you to research it before you started on the comic?
I did strict research for about a year, and then I said “I’ve just got to get something on paper.”
Were your reference materials particularly difficult to find?
Yeah, at first. This book, Wilhelm Reich vs. USA, was pretty hard to find. I actually found it at the library, and I kept checking it out and checking it out and finally found it at Powell’s. I don’t read German. I would like to find some of the papers that he wrote that are only in German, but that would be sort of pointless right now.
Do you do any original research, like interviews with family members or people who knew him?
I wish I could. No. I started out thinking this was going to be a much smaller project. I would still like to travel around and find whoever I could to talk about it now. Originally I thought this would be a way for me to practice cartooning, essentially, of telling a true story in the most truthful way that I thought I could.
Did you expect it to be so long?
Well, I deal better with long works. So yeah, I thought it would be like 300 pages, but I didn’t think that I would have a publisher. I thought I would print like 100 copies and give out to friends.
Have you heard from any Reich experts who has taken issue with any of your portrayals?
Not that has taken issue, but I recently got an e-mail from a person that was at a conference on orgone and pulled out my comic and showed it to everyone. Everyone was really skeptical but semi-supportive.
The e-mail was essentially “Please don’t think mess this up. Graphic novels are a big deal these days and you have the potential to do our work some harm if you portray this in the wrong light. No pressure though!”
Well, it’s one of the most flattering things written about him, so it seems like it could do his work a lot of good.
Well, it’s still early in his career, I’m sort of interested in how people feel about how I deal with some of his more controversial views, his ideas on aliens and what not.
So you haven’t gone through any of the therapy at all, just as research even?
Seen an orgone accumulator?
Yeah, I’ve seen an orgone accumulator, but they weren’t… I don’t know if anyone builds them professionally any more, but the person who owned it was the person who built it.
Are there any ideas of his that you’ve come to accept now, or that have affected you?
Well, since starting working on the book I think about sex in a lot less uptight way. I can actually talk about things in an open matter, where before it was like “teehee, he said the word erection.” I’m still a pretty uptight guy, I’m not going to talk about free love or anything like that.
Other than just freeing of my own language, I don’t think I’ve really adopted any of his teachings or whatever you want to call it.
I’m not exactly part of the anti-psychiatry movement or anything like that. But I’ve never been to therapy and I’m not looking to.
So you found out about Reich through William S. Burroughs — how did you find out about Burroughs?
You know, I can’t really remember. I think Naked Lunch was a book that my brother had in his apartment, just because it was a strange book and my brother likes strange stuff so he kept it around to show his friends. So one day I stopped by his apartment and didn’t have anything to read so I just picked it up. It’s not a narrative in any sense of the word, it’s almost just a collection of jokes or something. But I really gravitated towards it because everything I had read was just straight forward plot stories, and this had no plot and was just dirty and gross and was this guy’s entire brain smashed up. Ever since then I’ve looked for artists that do a similar thing, where it’s just self-expression whether you like it or not. I can’t say that my stuff is even close to that, but I hope that I’ve learned a little bit from that type of sensibility.
That actually makes sense looking at your work, that it would have been influenced by Burroughs, just the psychological aspect of it.
Right. I also like his unapologetic paranoia, because I’ve always felt a certain amount of “they’re out to get me.”
You have a really distinct style, how long did it take you to develop that, where did it come from?
I’ve always had an interest in that 20s era Weimar German Expressionism sort of stuff. And just through looking at George Grosz and Otto Dix and stuff like that, and trying to see what they were doing. I just sort of stole ideas from this person and that person.
You’re also working on a biographical comic on serial killer Billy Gohl. Why was his story so interesting?
I’ve always liked the idea of a serial killer as a boogey-man sort of thing. And Billy Gohl, there’s no movie about him, he’s not in popular consciousness yet.
His story is interesting to me, because he was accused of a hell of a lot more murders than he actually took part in. He was a braggart and a loud mouth. He said he cannibalized a man in the mountains one year.
Gray’s Harbor, Washington at the time was this rough port town where people would go missing all the time. The Christian population of the time looked down on the fact that he had a bar. Fights would break out there and they’d blame Billy Gohl.
He was made a representative of the sailor’s union and he was responsible for watching sailors’ belongings while they were out at sea. If they didn’t come back he was in charge of distributing the goods however he saw fit. Finding the families and everything. Chances were he’d usually just keep it. So his stories were “Oh this sailor I didn’t like, I just killed him and took his stuff.”
And people would show up floating in the bay. I think there was one year where the was just a little under 200 people found floating in the bay, and they referred to them the “floater fleet.” And Billy Gohl was eventually accused of every single murder that happened there, thousands of people over the time that he was living in Gray’s Harbor.
He was eventually convicted of two murders, one of which the court decided he didn’t even actually pull the trigger, he just convinced the other guy to pull the trigger. I don’t know how the legal wrangling were over that.
I think it’s a cautionary tale about how being a loud mouth and talking what a terrible person that you can be. Eventually you’re going to try to prove that and you’ll find your justice.
What’s your favorite work of your own?
Reich is the thing that I’m most proud of. I think the stories in Papercutter are a little bit more aligned with my sensibilities, I think I’m having more fun with those stories, but I think Reich is a more fulfilling story.
Bullying is a means of asserting the social order of popularity and keeping lower-status members in their place; the seductive pleasure of cruelty is a rewarding, and sometimes addicting, privilege for higher-status members (but not highest — they don’t need to bully). Bullying is not committed by individuals qua individuals against individuals qua individuals; it is committed by individuals who experience themselves as representatives of a social class within a social hierarchy against other individuals who experience themselves in being bullied as representatives of a social class within that same social hierarchy.
Full Story: Siderea: One Thought on Bullying
Rethinking in this frame would require us to reassess whether Eric Harris and Dylan Klebold were bullies or had been bullied.