Page 117 of 682

i09 Interviews the Editors of Coilhouse

Coilhouse editors

Your magazine feels deeply science-fictional to me, though it doesn’t exactly define itself that way, because it showcases real people who are working on the sorts of art and inventions that seem to belong within the realm of fantasy and SF. We tend to think of such creations as imaginary or futuristic, but they’re actually happening all around the planet. You even dig up the oddest artifacts from the distant past! How do you find all these artists, musicians, mad scientists, writers, and fringe people making fantastical things? What do you look for? What pulls them all together as belonging under the Coilhouse masthead?

NL: All sci-fi worlds are really alternative cultures to our own. Sci-fi was always the first place where progressive ideas got tested. It was a “safe” way to introduce such ideas to a larger mainstream audience, and our culture’s slowly but surely catching up. Good sci-fi still exists to question the taboos, inequalities and problems of our culture. Genderbending, magic, atheism, polyamory, alternative family structures – everything that the religious right fears the most also happens to be the stuff of great science fiction. The people who enjoy science fiction and say “this is the world I want to live in” – that’s us, that’s the majority of our readers. That’s why it was important for us to kick off Issue 01 with a piece by Samuel Delany, an excerpt from an upcoming novel about a utopian community for gay black men, and why we continually interview science fiction creators and come back to science fictional themes in the art and fashion we cover. It’s no coincidence that so much of “weird/alternative fashion” is very futuristic, very much inspired by costume design from films like Dune and Blade Runner (which, in turn, were inspired by underground/punk fashion of the time). It’s just another way for all of us to signal to one another: “Let’s see how far we can take our existence here, to remake the world in our image.”

Crime, Cryptohistory, Cthulhu, Culture, & Cyberpunk: Inside Coilhouse Magazine

Coilhouse is offering some free PDF samples from the magazine, as well as selling downloadable PDFs of sold-out back issues.

Video: Neuroscientists Create the Illusion of Having Three Arms

(via Anthropunk)

Patent Filing for Cellular Automata Financial Trading Method and System

The present invention comprises a method using cellular automata to process existing trading data from traders to generate unprecedented output that improves a wide range of future financial trading decisions and alerts for both individual traders and institutions. However, the method and system of the present invention is not a predictive system based on input of market data and it is not algorithmic. Rather, the method and system instead uses cellular automata logic to mimic human trading behavior. Based on the observations of human trading behavior decisions, the present invention generates an output of buy and sells decisions or simply an alert signal. This use of cellular automata as a basis for evaluating trading behavior provides a different basis for generating trading decisions and alerts and forms a new class of financial alerts over the prior art. The method of using cellular automata logic to process financial trading signals is therefore a paradigm shift in the logic behind trading decisions and alerts. It creates a new kind of technical analysis that features cellular automata interacting with human traders and data.

Free Patents Online: Patent Filing for Cellular Automata Financial Trading Method and System

(via Wade)

See also:

Predicting the Future with Twitter

Pi, Plato, and the Language of Nature

The Future of Manufacturing is Local

iPad covers manufacture

Good stuff, but I couldn’t help getting this icky “all those people who have been downsized and laid-off and otherwise had their lives destroyed by the hollowing out of the U.S. economy just just need to shut-up, stop complaining and pull themselves up by their bootstraps” vibe from the article.

“Manufacturing isn’t dead and doesn’t need to be preserved,” she says. “Let’s stop fixating on what’s lost. Let’s see what we have here, what’s doing well, and let’s help those folks do better.” […]

SFMade helps companies assess a product’s “manufacturability,” which sometimes results in an adjustment of (for instance) the design, to make it easier and less costly to manufacture. SFMade will then help companies either connect to existing contract manufacturing resources in the city or establish their own production capacity. Instead of assuming that things like sewing, printing and assembly need to happen overseas, SFMade is working to reconnect local production capacity to big companies (i.e., San Francisco-based Levi’s, exploring the possibility of local sample production). Other large San Francisco-based corporations have initiated relationships with SFMade, like Bank of America (which felt it had lost its footing as a “local” business) and Virgin America (which features local products for sale onboard its aircraft and in their San Francisco terminal). […]

Similar efforts are happening in New York (and indeed, The Times’ City Blog spotlighted the things still made in the city, from lightbulbs to envelopes, in the Made in N.Y.C. series two years ago). Though it launched post-9/11 as a strategy to lift the city back up, Made in N.Y.C. has evolved over time. Sustainability has become a large part of its mission: member companies can post the environmental impacts of their manufacturing processes on the Made in N.Y.C. Web site, with those excelling in greener process and product able to earn a “green apple.” Tying economic growth inextricably to environmental stewardship has so far been a strong strategy.

New York Times: The Future of Manufacturing Is Local

(via Chris)

Map of the History of Fantasy and Science Fiction, From Gilgamesh to Battlestar Gallactica

Fantasy and science fiction history

Full sized image

Amazing map of the history of science fiction, from its fantasy origins in Gilgamesh to modern mainstream television with stops along the way for gothic novels, Frankenstein, H.G. Wells, Olaf Stapledon, cyberpunk and so much more.

This comes from the Mapping Science website, but I haven’t been able to find an entry for it there.

(I saw this all over the place, but special thanks to Ian for finally getting me to take a look)

Grant Morrison’s Book on Super Heroes Gets a Title, Release Date

According to Amazon.com, Grant Morrison’s forthcoming book on super heroes will be called Supergods: What Masked Vigilantes, Miraculous Mutants, and a Sun God from Smallville Can Teach Us About Being Human. It’s scheduled for July 19, 2011. Here’s the description:

The first superhero comic ever published, Action Comics #1 in 1938, introduced the world to something both unprecedented and profoundly familiar: Superman, a caped god for the modern age. In a matter of years, the skies of the imaginary world were filled with strange mutants, aliens, and vigilantes: Batman, Wonder Woman, the Fantastic Four, Captain Marvel, Iron Man, and the X-Men—the list of names is as familiar as our own. In less than a century they’ve gone from not existing at all to being everywhere we look: on our movie and television screens, in our videogames and dreams. But why?

For Grant Morrison, possibly the greatest of contemporary superhero storytellers, these heroes are not simply characters but powerful archetypes whose ongoing, decades-spanning story arcs reflect and predict the course of human existence: Through them, we tell the story of ourselves. In this exhilarating book, Morrison draws on history, art, mythology, and his own astonishing journeys through this alternate universe to provide the first true chronicle of the superhero—why they matter, why they will always be with us, and what they tell us about who we are.

It’s now available for pre-order. No cover art yet, though.

(Thanks Ian!)

Typewriters Catching on with Young People

typewriter

I can see the appeal:

“I’m in love with all of them,” said Louis Smith, 28, a lanky drummer from Williamsburg. Five minutes later, he had bought a dark blue 1968 Smith Corona Galaxie II for $150. “It’s about permanence, not being able to hit delete,” he explained. “You have to have some conviction in your thoughts. And that’s my whole philosophy of typewriters.”

Whether he knew it or not, Mr. Smith had joined a growing movement. Manual typewriters aren’t going gently into the good night of the digital era. The machines have been attracting fresh converts, many too young to be nostalgic for spooled ribbons, ink-smudged fingers and corrective fluid. And unlike the typists of yore, these folks aren’t clacking away in solitude. […]

That doesn’t make them Luddites. For many younger typewriter users, the old technology rests comfortably beside the new. Matt Cidoni, 16, of East Brunswick, N.J., keeps a picture of his favorite machine, a Royal No. 10, on his iPod Touch so he can show it off to friends. Online, he is a proud member of the “typosphere,” a global community of typewriter geeks. Like many of them, he enjoys “typecasting,” or tapping out typewritten messages, which he scans and posts to his Web site, Adventures in Typewriterdom. One of his favorite typecasting blogs, Strikethru, is run by a Microsoft employee. In Mr. Cidoni’s world view, there’s nothing technologically inconsistent about such things.

New York Times: Click, Clack, Ding! Sigh …

Atemporality keeps everything from dying.

See also: The Guy I Almost Was.

(Via William Gibson, who writes: “Get one now. You saw what happened with mechanical watches.”)

Robots, Automation and the Future of Work

This is a presentation by Marshall Brain, founder of How Stuff Works. He’s written more extensively on the subject in an essay called Robotic Nation, which I haven’t read yet.

I think Brain might be overestimating the ability of machine-vision and natural language processing to supplant human intelligence, but the general trend towards fewer and fewer jobs is real one that I’ve written about a lot lately.

(via Justin Pickard)

Damon Lindelof: LOST in One Tweet

As you know, I’m no fan of the ending of LOST. But I was still pleased by Damon Lindelof’s participation in this Twitter meme.

#lostinonetweet

Damaged people crash on damaged island. People fix each other, then island. All consumed in bright light. Yay! (or Boo!) #LOSTINONETWEET

The Most Anxiety-Producing Jobs Are Those In Which the Workers Have Little Control Over Their Day to Day Activities

Salon interviewed Taylor Clark, author of Nerve: Poise Under Pressure, Serenity Under Stress, and the Brave New Science of Fear and Cool:

In your research, which jobs did you find to be the most stressful?

You might think that jobs that require the biggest amount of work or the longest hours would be the worst, but that’s not actually the case. The most anxiety-producing jobs are the ones in which the employee has very little control over what he or she does during the workday. One of the more compelling studies that I talk about in the book compares musicians in smaller, chamber groups with those that play in a larger orchestra. The former proved to be a lot less anxious than the latter because they got to decide their own schedule. Orchestral musicians tend to be at the mercy of a tyrannical conductor who decides when they play, what they play and when everyone can take a bathroom break. The notion of executive stress syndrome — the idea that bosses and corporate executives experience much higher levels of anxiety than their underlings — has proven to be total bullshit. Executives tend to have more control over what they’re doing, and they often displace their anxieties on the people that work beneath them.

So a run-of-the-mill production assistant is more stressed out than an air traffic controller?

We love to point a finger at air traffic controllers, but we may need to stop. Objectively speaking, their job has gotten more stressful in the last quarter-century. There are fewer of them employed now and they’re dealing with more traffic than at any point in the history of air travel. The difference is that Ned Reese, who headed the training for our country’s air traffic controllers for a number of years, has completely radicalized the selection process. Rather than pick people based on their physical proficiency, he began hiring controllers with a very a specific psychological makeup. We might see their work as stressful, but they tend to think of it as simply challenging.

Salon: “Nerve”: Why is America so anxious?

(via Alex Pang)

© 2025 Technoccult

Theme by Anders NorénUp ↑