Can we start with cinema. Is your film “Drivetime” about unleashing powers of chaos by using chaos magic? I do not know if I have this right?
Intriguing interpretation. Though I did not intend make “The Drivetime”as a vehicle for chaos magick, I can see how it could be experienced like that. I wrote “The Drivetime” on the heels of kicking an opium addiction while living in the seaside village of Port Townsend Washington back in 1995. Papaver somniferum blooms wild all over the streets about three months each year and I learned everything you need to know about chasing the dragon from Jim Hogshire’s book, “Opium for the Masses” (Loompanics, Ltd). I was desperate to trade up my opium addiction for an endorphin trigger that wouldn’t vanquish my libido. Inspiration hit when my friend Rob Brezsny, the astrology columnist, introduced me to his spin on the term “drivetime” which refers to the psychic overlays linking daytime and dreamtime realities. This drivetime meme exploded in my imagination and got me thinking about the interface between the aboriginal dreamtime and modern-day cyberspace.
I’m at a loss for words as to just how I upgraded my opium addiction to getting hooked on the poetic imagination but that’s what happened. The drivetime was no longer an idea in my head but an all-encompassing reality that needed an outlet besides my body and so, the momentum was on to channel these visions through the multi-tiered outlet of a cyber-fi feature film. My aim in making the film was to proffer for the viewer an experience of the drivetime as I knew it. And so, I suppose maybe I did unleash the powers of chaos using chaos magic afterall.
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