watchmen sketch

We would talk at great length every time Alan started to script an issue, he’d run by how he thought it might be broken down, then I’d give him my suggestions on that, and then based on the various thing we were talking about – we would both go off into reminiscences, and speculations about how we came through music to comics to childhood experiences to vague feelings about things – somehow we’d come back to the topic of Watchmen again, and this stuff, largely contextual and largely sort of, er, mood as much as anything, would find its way into the finished comic book. We just talked and talked a lot, and then Alan typed and typed a lot and I drew and drew a lot. And then John Higgins – I shouldn’t leave him out – he coloured and coloured a lot, and I very much would talk things through with him, and then just leave him to his own devices. I think good collaborations are like that; you have to trust what the other guy’s going to do, have him put into it, stir the pot, throw in what you’ve got and leave it alone.

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