Tickets and further information
(Thanks Trevor)
TagTrippy Pictures
My first encounter with their work happened 3 years ago through blogs and magazines that were raving about Maximilian’s Schell, a temporary outdoor installation that the Californian duo had installed in the courtyard of Materials & Applications in Los Angeles. I finally got to experience one of their works last Autumn at the Venice Architecture Biennial. Titled Echoes Converge and made of thousands of coloured string catenaries, the installation attempted to create a visual sensation reminiscent of the audio phenomenon of an echo while it kinetically registered the gentle currents of air as visitors experienced its cloud like volume. […]
But let’s get back to 2005: their Maximilian’s Schell warped the flow of space with a golden rendition of a celestial black hole. Constructed in tinted Mylar resembling stained glass, the vortex functioned as a shade structure, swirling overhead for the entire summer of 2005. The interior of the immersive installation created a space for social interaction and contemplation by changing the volume, color, and sound of the courtyard gallery. During the day, the canopy cast colored fractal light patterns onto the ground while a sound installation by composer James Lumb lightly rumbled below the feet of visitors. When standing in the center or “singularity” of the piece and gazing upward, the visitor could see only infinite sky. In the evening when viewed from the exterior, the vortex glowed warmly. The piece paid homage to a character played by actor Maximilian Schell in 1979 sci-fi movie The Black Hole.
We Make Money Not Art: Postopolis, Ball-Nogues Studio
(Many more images at link)
(via BLDGblog)
Most people have already seen the following images in the ‘WTF’ sections of social bookmarking sites, in threads dedicated to badass pictures or just circulated through their inboxes by the “funny” boss. There is never an explanation for these pictures, because they seem to intrinsically defy explanation; they are just still moments in time of unbelievable scope, and epic badassery. It seems hard to imagine what brought about the extraordinary circumstances these images depict, and that’s the magic, really – letting your imagination run with these ridiculous situations. Well, I decided to do some research on what the actual explanations were behind these famous pictures…because I hate magic, and I want to ruin it for you forever. I drown witches, bitches.
(via Robot Wisdom)
The body of the tower was made by a new technique called “ferrofluid sculpture” that enables artists to create dynamic sculptures with fluid materials. This technique uses one electromagnet, and its iron core is extended and sculpted. The ferrofluid covers the sculpted surface of a three-dimensional iron shape that was made on an electronic NC lathe. The movement of the spikes in the fluid is controlled dynamically on the surface by adjusting the power of the electromagnet. The shape of the iron body is designed as helical so that the fluid can move to the top of the helical tower when the magnetic field is strong enough.
More Info: Sachiko Kodama’s Web Site
(Thanks Ian!)
A University of Tokyo research team led by professor/computer graphic artist Yoichiro Kawaguchi is developing robots designed to imitate primitive life forms. Mockups have been put on display at a Shinto shrine in Tokyo, and working versions of the robots are scheduled for completion in two years.
According to the researchers, these robots are being developed as a way to explore artificial life and gain insights into how living things survive in a world governed by the law of the jungle.
More pics: Robot Watch
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