Meda: a Tale of the Future as Related by Kenneth Follingsby is an early mutant fiction written in 1888, printed for private circulation in 1891, and finally published in 1892. It’s an exceedingly rare book – I traveled to Riverside, CA to read it last November. I’m quite excited to see it online.
You can get it in several formats at archive.org
I’ve also mirrored the PDF and txt versions here.
See also:
(via Dangerous Minds)
Many years ago a friend made one of the most perceptive comments I have ever heard about Russian writers. “Yeah,” he said, “they’re profound and all that. But they’re also incredibly hard. I mean, there’s Pushkin: died in a duel. Lermontov: died in a duel. Tolstoy: fought in the Caucasus. Dostoevsky: sentenced to death, exiled to a Siberian prison camp. Solzhenitsyn: fought in the second world war, sent to the Gulag, survived cancer, defied the USSR …”
“Don’t forget Griboyedov,” I added. “Torn to pieces by angry Persians after he tried to save an Armenian eunuch. And Varlam Shalamov: Seventeen years in the Gulag.”
“Yeah – and what have English authors done? Dickens? Who did he fight?”
Read More – Guardian: Russians: the world’s hardest writers
(Thanks Bryce!)
The Naropa University Archive Project is preserving and providing access to over 5000 hours of recordings made at Naropa University in Boulder, Colorado. The library was developed under the auspices of the Jack Kerouac School of Disembodied Poetics (the university’s Department of Writing and Poetics) founded in 1974 by poets Anne Waldman and Allen Ginsberg. It contains readings, lectures, performances, seminars, panels and workshops conducted at Naropa by many of the leading figures of the U.S.literary avant-garde.
The collection represents several generations of artists who have contributed to aesthetic and cultural change in the postmodern era. The Naropa University Archive Project seeks to enhance appreciation and understanding of post-World War II American literature and its role in social change, cultural criticism, and the literary arts through widespread dissemination of the actual voices of the poets and writers of this period. Current interest in Oriental religions, environmentalism, political activism, ethnic studies, and women’s consciousness is directly indebted to the work of these New American Poets, writers and musicians.
Funding for this project was provided by the National Endowment for the Arts, the National Endowment for the Humanities, Save America’s Treasures, the GRAMMY Foundation, the Internet Archive, the Collaborative Digitization Program, and private donors. If this collection is important to you please help us preserve it with your donations.
(via Dangerous Minds)
Christopher Hitchens writes:
Readers of Ballard’s memoir, Miracles of Life (a book with a slightly but not entirely misleading title) will soon enough discern that he built on his wartime Shanghai traumas in three related ways. As a teenager in post-war England he came across first Freud, and second the surrealists. He describes the two encounters as devastating in that they taught him what he already knew: religion is abject nonsense, human beings positively enjoy inflicting cruelty, and our species is prone to, and can coexist with, the most grotesque absurdities. What could have been more natural, then, than that Ballard the student should devote himself to classes in anatomy, spending quality time with corpses, some of whom, in life, had been dedicated professors in the department. An astonishing number of his shorter works follow the inspiration of Crash, also filmed, this time by David Cronenberg, in morbid and almost loving accounts of “wound profiles,” gashes, fractures, and other inflictions on the flesh and bones. Fascinated by the possibility of death in traffic, and rather riveted by the murder of John Kennedy, Ballard produced a themed series titled The Atrocity Exhibition, here partially collected, where collisions and ejaculations and celebrities are brought together in a vigorously stirred mix of Eros and Thanatos. His antic use of this never-failing formula got him briefly disowned by his American publisher and was claimed by Ballard as “pornographic science fiction,” but if you can read “The Assassination of John Fitzgerald Kennedy Considered As a Downhill Motor Race” or “Why I Want to Fuck Ronald Reagan” in search of sexual gratification, you must be jaded by disorders undreamed-of by this reviewer. Both stories, however, succeed in being deadpan funny.
The Atlantic: The Catastrophist
(Thanks Alex Burns)
This is geared mostly to aspiring screenwriters, but I think other writers and appreciators of film would benefit from at least reading this article, if not the scripts as well.
My PDF Scripts: Mystery Man’s Seven Scripts You Gotta Read!
(via Jorn Barger)
It’s a play… no it’s a reading… no it’s… hard to tell. But on November 22, from noon to 6 pm, the New Museum in NYC is doing some sort of cool six hour Neuromancer thing that they describe thusly:
“An ambitious new work by Brody Condon, Case is a contemporary adaptation of the classic cyberpunk novel Neuromancer by William Gibson. Combining Gibson’s 1980s dystopian techno-fetishism with early twentieth-century abstraction, faux ‘virtual reality’ scenes will unfold via moving Bauhaus-inspired sculptural props accompanied by the Gamelan ensemble Dharma Swara.”
R.U. Sirius: Neuromancer… with Porn Star Sasha Grey as Molly
Update: That link is dead, but you can find out about the event at io9.
Plagiarism-detection software was created with lazy, sneaky college students in mind – not the likes of William Shakespeare. Yet the software may have settled a centuries-old mystery over the authorship of an unattributed play from the late 1500s called The Reign of Edward III. Literature scholars have long debated whether the play was written by Shakespeare – some bits are incredibly Bard-like, but others don’t resemble his style at all. The verdict, according to one expert: the play is likely a collaboration between Shakespeare and Thomas Kyd, another popular playwright of his time.
Sir Brian Vickers, a literature professor at the University of London, came to his conclusion after using plagiarism-detection software – as well as his own expertise – to compare writing patterns between Edward III and Shakespeare’s body of work. Plagiarism software isn’t new; college professors have been using it to catch cheats for more than a decade. It is, however, growing increasingly sophisticated, enabling a scholar like Vickers to investigate the provenance of unattributed works of literature. With a program called Pl@giarism, Vickers detected 200 strings of three or more words in Edward III that matched phrases in Shakespeare’s other works. Usually, works by two different authors will only have about 20 matching strings. “With this method we see the way authors use and reuse the same phrases and metaphors, like chunks of fabric in a weave,” says Vickers. “If you have enough of them, you can identify one fabric as Scottish tweed and another as plain gray cloth.” (No insult intended to Kyd.)
Time: How Plagiarism Software Found a New Shakespeare Play
(via Jorn Barger)
The software used, Pl@giarism, is free (as in beer, not open source).
The Presidential Medal of Freedom is the nation’s highest civil award, and is given to individuals who have contributed to: 1) the security or national interests of the United States, 2) world peace, or 3) cultural or other significant public or private endeavors.
In his new book, Speechless: Tales of a White House Survivor, former Bush speechwriter Matt Latimer reveals how politicized the revered Presidential Medal of Freedom became during the Bush administration.
Latimer writes that administration officials objected to giving author J.K. Rowling the Presidential Medal of Freedom because her writing “encouraged witchcraft”
(via Disinfo)
Vidal now believes, as he did originally, Clinton would be the better president. “Hillary knows more about the world and what to do with the generals. History has proven when the girls get involved, they’re good at it. Elizabeth I knew Raleigh would be a good man to give a ship to.”The Republicans will win the next election, Vidal believes; though for him there is little difference between the parties. “Remember the coup d’etat of 2000 when the Supreme Court fixed the selection, not election, of the stupidest man in the country, Mr Bush.”
Vidal originally became pro-Obama because he grew up in “a black city” (meaning Washington), as well as being impressed by Obama’s intelligence. “But he believes the generals. Even Bush knew the way to win a general was to give him another star. Obama believes the Republican Party is a party when in fact it’s a mindset, like Hitler Youth, based on hatred — religious hatred, racial hatred. When you foreigners hear the word ‘conservative’ you think of kindly old men hunting foxes. They’re not, they’re fascists.”
Another notable Obama mis-step has been on healthcare reform. “He f***ed it up. I don’t know how because the country wanted it. We’ll never see it happen.” As for his wider vision: “Maybe he doesn’t have one, not to imply he is a fraud. He loves quoting Lincoln and there’s a great Lincoln quote from a letter he wrote to one of his generals in the South after the Civil War. ‘I am President of the United States. I have full overall power and never forget it, because I will exercise it’. That’s what Obama needs — a bit of Lincoln’s chill.” Has he met Obama? “No,” he says quietly, “I’ve had my time with presidents.” Vidal raises his fingers to signify a gun and mutters: “Bang bang.” He is referring to the possibility of Obama being assassinated. “Just a mysterious lone gunman lurking in the shadows of the capital,” he says in a wry, dreamy way.
Vidal now believes, as he did originally, Clinton would be the better president. “Hillary knows more about the world and what to do with the generals. History has proven when the girls get involved, they’re good at it. Elizabeth I knew Raleigh would be a good man to give a ship to.”The Republicans will win the next election, Vidal believes; though for him there is little difference between the parties. “Remember the coup d’etat of 2000 when the Supreme Court fixed the selection, not election, of the stupidest man in the country, Mr Bush.”
Times Online: Gore Vidal: ‘We’ll have a dictatorship soon in the US’
(via Disinfo)
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