TagEntertainment

Fox Sues Over ‘Watchmen’

“20th Century Fox has initiated a legal battle against Warner Bros. over the rights to develop, produce and distribute a film based on the graphic novel “Watchmen.” On Friday, the studio sued Warners, claiming it holds the exclusive copyrights and contract rights to “Watchmen.” Warners plans to release next year a big-screen version of the popular comic book written by Alan Moore and illustrated by Dave Gibbons. The cast includes Jackie Earle Haley, Billy Crudup, Patrick Wilson, Carla Gugino and Malin Akerman. It is the studio’s policy to not comment on pending litigation.

But Fox seeks to enjoin Warners from going forward with the project, saying in the lawsuit that it seeks to “restrain (Warner Bros. Pictures) from taking actions that violate Fox’s copyrights and which stand to forever impair Fox’s rights to control the distribution and development of this unique work.” Fox claims that between 1986 and 1990, it acquired all movie rights to the 12-issue DC Comics series and screenplays by Charles McKeown and Sam Hamm. In 1991, Fox assigned some rights via a quitclaim to Largo International with the understanding that the studio held exclusive rights to distribute the first motion picture based on “Watchmen,” according to the lawsuit.”

(via The Hollywood Reporter)

Lead singer of Iron Maiden directing movie about the reincarnation of Aleister Crowley

chemical wedding

s the lead singer from Iron Maiden the new Rob Zombie? Bruce Dickinson, the old school hard rock band’s lead singer, penned the screenplay for Chemical Wedding, an occult thriller which, according to Variety, “stars Simon Callow as the reincarnated Aleister Crowley, an occult scholar who was once labeled as the most evil man in Britain.” Crowley wasn’t just “an occult scholar.” His very existence struck fear into the hearts of the U.K. residents throughout his lifetime.

Full Story: Monster Fest.

(Thanks Danny Chaoflux).

“The Last American Freakshow” and the BAFTA Controversy

“The Last American Freakshow” is a movie (still in progress), that follows a traveling freakshow. Disabled film-maker Richard Butchins says in his own words: “I filmed the elephant man, the dwarf, a giant, a pair of lobster people, the half woman, a clown and a jumble of jug band musicians. On tour in a 20 year old school bus, travelling 2500 miles across America, the ‘freaks’ worked their way through the wild west. Laughing, crying and drinking – a carnival of the damned – searching for a home…”

Originally the British Academy of Film and Television Arts was going to show the film at their awards ceremony. After deciding that the film wasn’t “politically correct”, they backed out of the agreement, and chose to show “Lars and The Real Girl” instead. According to Butchins’ blog: “the kicker is this: BAFTA offered to show ‘Lars and the real girl’ as an alternative to my film. For those of you that don’t know ‘Lars and the real girl’ is a Hollywood comedy about an able bodied man who has a life sized doll as a girl friend. It’s a good film but hardly a film that prompts debate or challenges the societal view of disability, let alone highlighting the problems of being a disabled film-maker – talk about insensitive….So, they are trying to use their PR company to stop them looking like the prejudiced tyrants that they are. I really don’t know why they have taken against my film in this way, it sort of defies understanding. I suspect, though, that right now they are more concerned about not wanting to be portrayed in the National Press as anti-minority, than with my film.”

In another post he states: […] “Freak carries, in some peoples minds, a pejorative meaning it means something bad. But is it? To be out of the mainstream isn’t necessarily a bad thing and meanings change over time. At one point in history having a black skin made you a freak and we think of that as ridiculous now. These performers are trying to bring an awareness of their ?normality’ to peoples attention through entertainment (it is, after all a ‘show’) and that’s a valid and worthwhile, if sometimes, challenging thing to watch. They deserve support not denigration for what they are doing. This film documents this and as a result is funny, entertaining and sometimes difficult, it makes you feel uncomfortable on occasion and encourages you to examine your preconceptions about disability and that’s the point. These characters are young and put themselves in your face – mostly people get it – but some figures in the media establishment can’t take it. Do the ?freaks’ have to be quiet little cripples and conform to stereotypical ideas of disabilty to be accepted. It would appear they do, that’s prejudice and prejudice always has a victim…”

They enjoy what they’re doing, and are paying their bills in the process. This should be celebrated. But, I suppose that those in the mainstream and the “politically correct” prefer them bagging our groceries and collecting carts. Or maybe they just expect them to stay out of sight all together. What a load of crap…

(via Cabinet Of Wonders)

(999 Eyes: Authentic Human Oddities Freakshow and their YouTube channel)

Ryan Reynolds to encourage you to embrace the chaos

Hehe. I love Reynolds and chaos. Can’t wait!

Uri Geller:”Forget the Paranormal!”

“TV-Mystifier Uri Geller on his experiences with the CIA, his work for an Israeli and Palestine rescue service, the war in Lebanon, his novel “Ella” – and his advice to forget spoon bending …
Last year Telepolis brought a short bio on Uri Geller that was criticizing the media, but could have been alleged itself because it didn’t use an important source: Uri Geller himself. This was made good by meeting the worldfamous spoonbender in Cologne, where he is living for two months to realize his current tv-show. Between a trip to the hospital and his appearance in a talkshow he took the time to give Telepolis an interview concerning political matters.”

(via Telepolis)

Wesley Snipes: Demolition Man

According to the Wall Street Journal’s Law Blog, actor Wesley Snipes was “found not guilty of federal tax-fraud and conspiracy charges Friday, but was convicted on three misdemeanor counts of failing to file a tax return”. Looking into this a bit further, I found an article which states that he “appears to have associated himself with not one but two radical extremist groups, each with a long history of criminal activity. In addition to being advised by Eddie Ray Kahn (pronounced “Kane”), an IRS antagonist since 2000, Snipes appears to own a fraudulent trust of the sort that recently earned anti-tax activist Arthur Farnsworth a conviction for tax evasion (he is scheduled to be sentenced in Pennsylvania later this month). It’s not the best company to be keeping if one seeks to maintain good standing with the U.S. government. But what makes the case truly bizarre is the anti-tax movement’s deep association with anti-Semites and white supremacists.”

It is also rumored that he has ties to a “bizarre Georgia-based black nationalist cult, the United Nuwaubian Nation of Moors-an apocalyptic organization that preaches a ripped-from-the-X Files m?lange of UFO lore, Egyptian mythology, Afrocentrism, and conspiracy theory. The group is led by self-styled prophet Dwight “Malachi” York, who in 2004 was sentenced to 135 years in prison for a litany of convictions including tax evasion and the sexual abuse of more than a dozen children of his disciples.”

How did he become associated with two different groups with radically different views? They found something in common. The anti-tax movement.

(via Radar)

Hatch 23: the occult secrets of Lost

Just in time for the season premiere of Lost! Hatch 23 is an Esozone/PDX Occulture educational project seeking to uncover the occult undercurrents of the popular television series:

There’s a lot going on beneath the surface of the ABC television series Lost. Lost is sprinkled with references and allusions to the occult and esoteric secrets. Perhaps the most explicit reference is the use of the number 23. Since the release of the Jim Carrey movie,the significance of that number has become widely known.

But Lindelof and company started sprinkling the number throughout the first season, over 2 years before the movie. The number comes from Robert Anton Wilson, as Lindelof has confirmed at various times

Full Story: Hatch 23.

An inspiration for occult aesthetics everywhere

Princess Voodoo Whatever

Voodoo Princess Clarice was a choice link I decided to click from off to the side of Technoccult here. It’s part of the Google Ads thing.

Aside from Bush playing as I peruse the website, other gems include the aniGIF lightning bolts wallpaper, the slick ASCII illustration (ACiD, eat your hearts out), and then there’s the spells… for sale:

Voodoo Princess Clarice is known for her powerful healing rituals and her love spells. These powerful spells have been handed down through the years from the most noted voodoo practitioners in voodoo history. Regardless of your situation, my powerful ancient love spells can restore love, passion, romance and commitment or remove or place a hex or get revenge. Whatever your heart desires, I am Princess Clarice.

Rev Max, you got any sort of deduction here? I get from this that professionally working voodoo priestesses listen to pop rock, are into video game fantasy art, and can cast spells as easy as I can roll a D20 to smite my ex-girlfriends.

Voodoo Princess Clarice’s spell list includes plenty of love-me spells for those of you too lame to grow a pair and start talking to cuties at the library or caf?, weight-loss spells for people who don’t feel it’s necessary to get regular exercise or eat relatively healthy, the interesting stop-a-divorce spell for those of you who are too afraid to admit when it might be over and move on into the new experiences life has to offer you, pregnancy spells (also known as needles-and-condom ends), and an assortment of favourites for the whole family.

Why wait? Call now! (310) 254-7143 “serious callers only”

I want to beat myself up now simply via 3? association. More on how occultists see themselves and are seen by others here.

How creativity is being strangled by the law

Larry Lessig gets TEDsters to their feet, whooping and whistling, following this elegant presentation of three stories and an argument. The Net’s most adored lawyer brings together John Philip Sousa, celestial copyrights, and the “ASCAP cartel” to build a case for creative freedom. He pins down the key shortcomings of our dusty, pre-digital intellectual property laws, and reveals how bad laws beget bad code. Then, in an homage to cutting-edge artistry, he throws in some of the most hilarious remixes you’ve ever seen.

EDIT — Couple links I thought might be noteworthy in regards to Lessig’s talk: BBC’s “The view from The Pirate Bay” and Boing Boing’s current coverage of the upcoming Draconian copyright laws being pushed forward in Canada (similar to the ones already enacted in the U.S.).

The prescience of Max Headroom

Alterati reviews the most prescient aspects of the 1987 TV series Max Headroom:

Cellphones
Short Advertisements
CGI
Computer Generated Composite Photos
Integrated Corporate Information Systems
Every Information Device Connected
Cash Free Society
One (Token) Ring To Rule Them All

Full Story: Alterati.

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