MonthMay 2010

Worst-Case Thinking

mushroom cloud

Worst-case thinking means generally bad decision making for several reasons. First, it’s only half of the cost-benefit equation. Every decision has costs and benefits, risks and rewards. By speculating about what can possibly go wrong, and then acting as if that is likely to happen, worst-case thinking focuses only on the extreme but improbable risks and does a poor job at assessing outcomes.

Second, it’s based on flawed logic. It begs the question by assuming that a proponent of an action must prove that the nightmare scenario is impossible.

Third, it can be used to support any position or its opposite. If we build a nuclear power plant, it could melt down. If we don’t build it, we will run short of power and society will collapse into anarchy. If we allow flights near Iceland’s volcanic ash, planes will crash and people will die. If we don’t, organs won’t arrive in time for transplant operations and people will die. If we don’t invade Iraq, Saddam Hussein might use the nuclear weapons he might have. If we do, we might destabilize the Middle East, leading to widespread violence and death.

Of course, not all fears are equal. Those that we tend to exaggerate are more easily justified by worst-case thinking. So terrorism fears trump privacy fears, and almost everything else; technology is hard to understand and therefore scary; nuclear weapons are worse than conventional weapons; our children need to be protected at all costs; and annihilating the planet is bad. Basically, any fear that would make a good movie plot is amenable to worst-case thinking.

Schneier: Worst-Case Thinking

The other extreme is militant positive thinking. The modern condition seems to be a constant fluctuation between these two extremes: irrational fear and irrational optimism.

Steve Buscemi directing adaptation of William S. Burroughs’s Queer

Steve Buscemi / Queer by William S. Burroughs

Now this is an interesting story. At the Sarasota Film Festival last week, Steve Buscemi lead a live stage reading of the script for his new project Queer, written by The Messenger director Oren Moverman based on the William S. Burroughs novel. The Sarasota Herald-Tribune (via The Playlist) attended the event and provides a recap of the night. Apparently Buscemi is to direct the film, his fifth feature, and brought Stanley Tucci, Ben Foster, John Ventimiglia (The Funeral) and Lisa Joyce (The Messenger) in to read the script for the audience, but that doesn’t necessarily mean they’re cast in this, although he’ll probably consider them.

First Showing: Steve Buscemi Helming Oren Moverman’s Adaptation of ‘Queer’

Update on Grant Morrison’s WE3 movie (it’s stalled)

we3

As for the current status of the project, Morrison said it’s in a holding pattern at the moment, though Stevenson is still attached and he receives occasional updates as it makes its way around Hollywood.

“It’s just around and about, you know?” he said. “John Stevenson still wants to be involved, but nothing’s moving on it right now.”

“I hope we see some movement on it,” he added. “I hear about it every couple of weeks. [Producer] Don Murphy calls me up and fills me in on the very slow progress of the thing.”

MTV: Grant Morrison Says His ‘We3’ Screenplay Has Less Violence, But It’s ‘Better Than The Comic’

William S. Burroughs and Don Draper

William S. Burroughs

Don Draper

Nancy Mattoon writes on the similarities and differences between William S. Burroughs and the fictional character Don Draper from AMC’s Mad Men:

Insiders wanting out, outsiders wanting in. Flamboyantly embracing the outlaw life, desperately seeking status. Life on the junk, life selling junk. Creating a nightmarish truth, concocting a glamorous lie. Writing to save your soul, selling your soul to write. Spectacularly surrendering to the siren song of smack, self-medicating with scotch and soda to maintain the social surface. The psychotic outlaw-addict and the man in the gray flannel suit. Both hell bent on that great American pastime: reinvention. But the artistry of the addict betrays the poetry in his soul. And the Marlboro Man has a cancer at his core. Neither Burroughs/Lee nor Don Draper can escape the one thing they’re trying to outrun: themselves. As William Faulkner put it,”the past isn’t dead, it’s not even past.” Or to quote Dr. Buckaroo Banzai, “No matter where you go, there you are.”

Seattle PI: Don Draper Eats A Naked Lunch

Finland’s 100,000-Year Plan to Banish Its Nuclear Waste

Onkalo

Onkalo, on the other hand, is supposed to last 20 times as long as the pyramids have so far — so long that the builders of the site have to take into account the next ice age, when the weight of two miles of ice on top of Finland will be added to the stress on the buried waste containers, copper canisters two inches thick.

It might seem crazy, if not criminal, to obligate 3,000 future generations of humans to take care of our poisonous waste just so that we can continue running our electric toothbrushes. But it’s already too late to wave off the nuclear age, and Mr. Madsen’s film comes at a perfect time to join a worldwide conversation about what to do with its ashes. On June 3, administrative law judges from the Nuclear Regulatory Commission will begin hearing arguments about whether the Department of Energy can proceed with shutting down development of the Yucca Mountain site in Nevada, where the United States had been planning since 1987 to store its own nuclear waste.

New York Times: Finland’s 100,000-Year Plan to Banish Its Nuclear Waste

What would YOU do with Newsweek?

Last week The Washington Post Company put Newsweek up for sale. Much ink – physical and digital – has been spilled about what should be done with the ailing magazine. Neiman Journalism Lab has a round-up in their week-in-review post from last week – I particularly like Derek Powazek’s post.

If your long-lost crazy rich uncle bought Newsweek and called you up and said “I bought you this, I thought you might want it” – what would you do? (Assuming you get the magazine for free but actually have to find some way to sustain it – Uncle Moneybags won’t keep it on life support forever.)

Scientists discover missing link in the emergence of life

inorganic life

Philosophers and scientists have argued about the origins of life from inorganic matter ever since Empedocles (430 B.C.) argued that every thing in the universe is made up of a combination of four eternal ‘elements’ or ‘roots of all’: earth, water, air, and fire, and that all change is explained by the arrangement and rearrangement of these four elements. Now, scientists have discovered that simple peptides can organize into bi-layer membranes. The finding suggests a “missing link” between the pre-biotic Earth’s chemical inventory and the organizational scaffolding essential to life.

Daily Galaxy: Scientists Discover Missing Link Between Organic and Inorganic Life

(Thanks Wade)

Cellular automata based psychedelic animation generator

cellular automata

A cellular automata based pychedelic animation generator

(via Wade)

Bill Gates funding rogue geoengineering project

marine cloud whitening

The first trials of controversial sunshielding technology are being planned after the United Nations failed to secure agreement on cutting greenhouse gases.

Bill Gates, the Microsoft billionaire, is funding research into machines to suck up ten tonnes of seawater every second and spray it upwards. This would seed vast banks of white clouds to reflect the Sun’s rays away from Earth.

The British and American scientists involved do not intend to wait for international rules on technology that deliberately alters the climate. They believe that the weak outcome of December’s climate summit in Copenhagen means that emissions will continue to rise unchecked and that the world urgently needs an alternative strategy to protect itself from global warming.

Times: Bill Gates pays for ‘artificial’ clouds to beat greenhouse gases

(via Disinfo)

Alejandro Jodorowsky Interview from Vice

Alejadro Jodorowsky

Where does your knowledge of religions come from?

From my father, in a way. He was an atheist. When I was four he said to me, “God doesn’t exist.” It gave rise to an incredible fear, so I started to read anything that could soothe me, metaphysically speaking. All religions, all esoteric movements, alchemy, the Kabbalah, I read about all this. Except astrology–that always pissed me off.

Hum…did you have a script for The Holy Moutain?

I had a frame but I made up the story little by little, every night.

You were said to shoot after taking magic mushrooms…

No, well… Actually, only one scene was shot after taking shrooms. And we messed up. We had to reach a holy place, the top of the pyramid. The actors and I decided to be as mystical as the place we were in. But I made a mistake, I did not force my cameraman to take magic mushrooms as well. He was sober. He saw us and laughed at us as you laugh at drunkards. He decided to put a distorting lens, to shoot us in a ridiculous, psychedelic way. It was a shitty effect on a beautiful, rare, and clean scene which you should not touch. So we climb the pyramid, guided by our supra-conscience. Once there I scratched the ground and I extracted a stone, a cube which we brought on the top. On the top we found a little flower, a very little flower: it was magic, pure. And the fucking cameraman put a distorting lens to capture that, as if we were monsters.. I wanted to kill him.

I realized what he did too late, we were in wild, virgin territories, I only saw the rushes once back in New York. I fled from Mexico because they wanted to put a bomb in my flat, yelling I was evil. I had 30 hours of film you know, he ruined more than a third. I was fool to believe that if the technicians were clean, they would work correctly. But on the contrary, they did not understand a thing about the movie, there was no communication between us and them. They looked at us as if we were wild beasts and thought they could do anything with the camera. When I think about what we messed up, I feel sick.

Vice: NAKED BLOODY CORPSES, CHARROS, SHROOMS, AND THOSE WHO MADE THEM MONSTERS

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