i09 reports that Neil Gaiman announced at Comic-Con that he’s writing a prequel to Sandman. J. H. Williams III of Promethea fame is set draw it. Here’s a transcript of part of Gaiman’s pre-recorded announcement:
When I finished writing The Sandman, there was one tale still untold. The story of what had happened to Morpheus to allow him to be so easily captured in The Sandman #1, and why he was returned from far away, exhausted beyond imagining, and dressed for war.
I haven’t read Sandman since I was 15 – about half my life ago. I have no idea if it’s actually good – it was the best thing I’d ever read up to that point (other than Watchmen), but I hadn’t read all that much. I think it’s time for a re-read.
Steve Moore, a mentor to Alan Moore (no relation), is publishing his novel Somnium through Strange Attractor. It’s available for pre-order from the publisher. S. Moore was the subject of A. Moore’s audiobook Unearthing, which discussed the circumstances of the writing of Somnium. It’s received praise from Michael Moorcock and Iain Sinclair.
From Strange Attractor:
Written in the early years of the 21st century, when the author was engaged in dream-explorations and mystical practices centred on the Greek moon-goddess Selene, Somnium is an intensely personal and highly-embroidered fictional tapestry that weaves together numerous historical and stylistic variations on the enduring myth of Selene and Endymion. Ranging through the 16th to 21st centuries, it combines mediæval, Elizabethan, Gothic and Decadent elements in a fantastic romance of rare imagination.
With its delirious and heartbroken text spiralling out from the classical myth of Endymion and the Greek lunar goddess Selene, Somnium is an extraordinary odyssey through love and loss and lunacy, illuminated by the silvery moonlight of its exquisite language.
With an afterword by Alan Moore, whose biographical piece Unearthing details the life of his friend and mentor Steve Moore, and includes the circumstances surrounding the writing of Somnium.
Cyberpunk has fallen from its peak in the 1980s and early 1990s, but the great cyberpunk authors are still writing. And many of them have turned to fantasy. Why is this?
What is it about fantasy that appeals to many of the greatest cyberpunk authors? We asked the authors themselves and also cooked up some theories of our own.
Rudy Rucker, author of the Ware tetralogy and Postsingular, among many others, has described his new novel Jim and the Flims as being akin to fantasy. Also, Black Glass author John Shirley published the mystical Bleak History in 2009.
Metrophage author Richard Kadrey has gained a huge following for his Sandman Slim novels — the third one, Aloha from Hell, is coming October 18. Richard K. Morgan, author of the cyberpunk Takeshi Kovacs novels, has written a bloody fantasy, The Steel Remains, with the sequel, The Cold Commands (or The Dark Commands), coming October 11. Meanwhile, some of Synners author Pat Cadigan’s recent stories have seemed much more fantasy-oriented.
I hadn’t even realized this was going on, but it makes sense. Fantasy hasn’t held my interest since adolescence (I’m sure there’s good stuff out there, I just haven’t seen enough of it). But I’ve been thinking about the idea of fantasy a lot lately. It sounds like an interesting genre to explore, but starting with Gilgamesh, it’s the oldest genre out there. Seems like it would be hard to get new ideas out of it.