Tagantero alli

Eight Circuit Brain Course With Antero Alli Open For Enrollment

Every year Antero Alli offers an online course on the eight circuit model of consciousness. The eight week course starts next month and costs $210:

This 8-week course is the result of a comprehensive study and practice of dynamic techniques for accessing the states of consciousness symbolized by the Eight-Circuit model. This online course has been tested and refined over the past six years with over three hundred students. All eight circuits are covered, their specific internal vertical supports and, initiations into and out of Chapel Perilous.

Once understood and redefined in your own terms, the circuits can act as an open-ended system for precision tracking and interpretation of living signals within yourself, the world and beyond. The 8-circuit grid can be especially useful for those seeking context and integration of hyper-consciousness triggered by psychoactive drug use and/or the outside shocks of real-life traumas. If you are motivated to take on more responsibility for your own choices, your autonomy, and your integrity then, this course may be for you.

Eight Circuit course

Antero Alli Teaching Online Eight Circuit Brain Course

Antero Alli is teaching an online course on the Eight Circuit Brain concept pioneered by Timothy Leary, Robert Anton Wilson and of course Antero himself.

The course is eight weeks long and is based on the course structure outlined in his book The Eight Circuit Brain, which is required for the online class. The online course is enhanced by daily and weekly online group forum, private feedback from Antero and additional assignments.

Disclosure: if you register through Technoccult I get a commission

An 8-Week Interactive Online Course with author, Antero Alli (Angel Tech, The Eight-Circuit Brain and Towards an Archeology of the Soul)

Eight Circuit Brain

Requirements, How This Course Works and Enrollment

Requirements

1) The Eight Circuit Brain, the book, is required for this course. Angel Tech, is an optional source book.

2) 6-10 hours set aside each week for reading and work assignments.

How This Works

The 8-week course structure is already contained in the book The Eight-Circuit Brain. This course is enhanced by daily and weekly online group forum interactions, ongoing private instructor feedback via e-mail, and additional instructor assignments. There are no set meeting times for this course; everyone goes at their own pace. Though each Saturday we start the next week’s assignments, all previous assignments and forum posts remain open to read and/or to post on them. Course structure includes extra time (the final two weeks) to finish incompleted work. Click this for distilled definitions of the eight circuits as they will be addressed in this course.

This 8-week course is the result of a comprehensive study and practice of dynamic techniques for accessing the states of consciousness symbolized by the Eight-Circuit model. This course has been tested and refined over the past five years throughout six different semesters and over two-hundred students. All eight circuits are covered, their specific internal vertical supports and, initiations into and out of Chapel Perilous.

Once understood and redefined in your own terms, the circuits can act as an open-ended system for precision tracking and interpretation of living signals within yourself, the world and beyond. The 8-circuit grid can be especially useful for those seeking context and integration of hyper-consciousness triggered by psychoactive drug use and/or the outside shocks of real-life traumas. If you are motivated to take on more responsibility for your own choices, your autonomy, and your integrity then, this course may be for you.

Enrollment

Course Tuition: $200 (for 8 weeks)





Or:

Money orders (U.S. funds only) payable to “Vertical Pool”, and mailed to:
VERTICAL POOL, att: Antero Alli, P.O. Box 10144, Berkeley CA USA 94709.

When payment is received, a confirmation e-mail will be sent out within 48 hours. Passwords and link to the online forum will be sent out by or before March 14th. Tuition non-refundable after March 17th. Enrollment limited to 20. NOTE: As of February 19th, there are 10 spaces still available.

E-mail all inquiries to:
antero@paratheatrical.com

Here’s my Technoccult TV interview with Antero:

And here’s part of Antero’s presentation at EsoZone 2008:

Selections from The Dream Manual Artist Michael Skrtic – Technoccult Interview (Part 2)

Dream Manual Now tell me what I am here for

Selections from the Dream Manual is an “aesthetic grimoire.” On one level, it’s a collection of cut-up texts by Bill Whitcomb (occasional Technoccult guest blogger and frequent commenter) accompanied by collage paintings by Michael Skrtic for each line of text. On another level, it is a collection of excerpts from the employee handbook of the Ministry of Dreams. On both levels, it’s a remarkable and engaging work. As Antero Alli writes in his foreward, “Look at them as meditation portals to the cinematic dreamscapes of the Other Side, or if you prefer psychological terms, the Unconscious (and naturally “other” to the conscious Ego). Or, if you side with the Australian aborigines, the Dreamtime.”

You can learn more about it, and preview it, here. You can buy it from the publisher here or from Amazon.com.

Part one of this interview can be found here.

I found it interesting that everything right down to the typeface in the book is meaningful. Can you talk a bit about that?

Yeah. It’s all about packing. Density is what it is. It’s symbol density. How much can you pack into each page, each image, and each combination? If you start with the text, you got some very plain, random text that Bill assembled Burroughsian-style. He was assembling lots of text ala Burroughs and Gysin. He made these little stanzas that were just starkly beautiful, but were rather plain in and of themselves…they’re just sort of…pronouncements, but if you start with those and you start stacking images, so that the words couple with the images. Some years after the original dream manual was created Bill created the magical alphabet called the Alphabet of Dreams for another purpose. And as I was painting these things, the first paintings, I thought “Well, hmm, the Alphabet of Dreams.” I needed a textual element. Originally, I was thinking about sort of lettering the text comic book style on the paintings and then thought “Wait a minute, if I grab the Alphabet of Dreams which has these runic…each letter has an association.” In typical Bill-manner, each letter has two or three pages of associations, colors, days of the week, and astrological signs. So I thought that if I just transliterated Bill’s original text into the Alphabet of Dreams, I could use that as a pictorial element. It stacked another layer of symbolism on top of just the images coupled to the text. As we built this thing, we just kept packing and packing to point where, as you say, even the fonts Pentagramm and Pentagraf are based on a five-point star. The idea is that all this should act on you in a beneath-the-consciousness sort of way. Indeed, everyone we’ve been able to get to look at it, to play with it, to really read and experience it, has been totally blown away. Most recently, my neighbor who doesn’t read much – he works with the Forestry Committee in Sweden – his family are farmers. He has absolutely no interest in any odd occult stuff, but he read it from front to back and has been asking questions. He thinks this is completely fascinating, so even unlikely people seem to open it and get immediately lost in all the layers of symbols and meaning in it. You’ve got the text layered on there, and there’s that lovely little bit of foreword matter, and some of those strange line drawings that are placed about, and then the final end-piece. I think that’s one of the most interesting parts of the book – that last piece where we listed the image sources. All of these things came from airline magazine, or French fashion magazines while I was travelling through France or postcards from Tokyo. That just ties it to the rest of the world. Finally, as we were assembling the book, Bill wrote these really lovely descriptions of each of the paintings. Not just a dry description, but sort of a poetic description that provides you another route through it. In a way, I think Bill and I were both heavily inspired by the Dictionary of the Khazars. The Dictionary of the Khazars is really a sort of hypertext novel.

That was mentioned in the introduction. When was that published?

You know, it would have to be the early 80’s. I could actually check if you want, but it’s upstairs.

I can look it up online.

I’m sure there’s even a hypertext version these days – a true hypertext version.

Dream Manual I Could Use Your Help

As Antero Alli points out in the foreword, you and Bill avoid the question of what dreams are and what they mean. Do you have an opinion on that?

At different points in my life, I’ve had different answers with different degrees of certainty. I don’t know what dreams are. I’ve had prophetic dreams. I’ve had dreams that seemed just totally weird. As I was learning to speak Swedish fifteen years ago, I used to dream about John Wayne talking to me about Swedish. It’s a combination of prophecy, and processing daily actions, and you mind spinning loose and just relaxing and fantasizing, like watching TV, I think. No. I have no definitive answer about what dreams are.

Since you’ve just finished this seven year project, what are you going to do now or what are you going to do next?

There are two projects I’m working on right now that are totally unrelated or maybe they are, in an odd sort of way. I’m working on a children’s book called “When Gaia Dreams the World.” I’m doing the text and images for that, but that’s sort of in outline stage at the moment. At the same time, I’m working with Bill Whitcomb on the “The Hard-Boiled Tarot.” It’s a Tarot deck which uses modern popular culture genres like Weird Science, True Romance and Thrilling Detective Stories as suits. Like Selections from The Dream Manual, both of these projects deal with the dreams and stories we tell ourselves about the world around us.

Back to part one…

Selections from The Dream Manual Artist Michael Skrtic – Technoccult Interview (Part 1)

Selections from the Dream Manual Try This Experiment

Selections from the Dream Manual is an “aesthetic grimoire.” On one level, it’s a collection of cut-up texts by Bill Whitcomb (occasional Technoccult guest blogger and frequent commenter) accompanied by collage paintings by Michael Skrtic for each line of text. On another level, it is a collection of excerpts from the employee handbook of the Ministry of Dreams. On both levels, it’s a remarkable and engaging work. As Antero Alli writes in his foreward, “Look at them as meditation portals to the cinematic dreamscapes of the Other Side, or if you prefer psychological terms, the Unconscious (and naturally “other” to the conscious Ego). Or, if you side with the Australian aborigines, the Dreamtime.”

You can learn more about it, and preview it, here. You can buy it from the publisher here or from Amazon.com.

Part two of this interview can be found here.

Michael currently lives in Sweden, but is a true citizen of the world. I caught up with him by telephone to talk about the Dream Manual, his relationship with Bill and what he’s working on now. Tune in next week for part 2 of this interview.

Klint Finley: What possessed you to undertake this process of creating a collage painting for every line of Bill’s original Dream Manual?

Michael Skrtic: The Dream Manual appeared first in 1984 or 1985 in a magazine called The Negentropy Express, which was an APA (an amateur press association) by the Society for Creative Thought. I was one of the founding members of the Society for Creative Thought and I was immediately taken with Bill’s original text and the original short little collage things that he did to accompany the text. It sort of followed me around since then. In the early 90s, I had just moved to Stockholm and I was looking for a project. I thought, ah, I know what I’ll do, I’ll colorize Bill’s original collages, so I blew them up and I colorized a couple of pages, and then I got involved with something else. Fast forward to 2003. I had a new studio and I’d just finished painting strange diagrams on the floor to get the mojo right, so I started thinking about the Dream Manual as a possible thing to do. I started looking at it and realized that I actually could – that’s basically it.

I started thinking about all the places I’ve been, collecting collage material. I’ve been collecting collage material for many, many years. Each of the Dream Manual images has touchstones to everywhere I’ve been and all the other images I’ve gathered, so I started putting them together to see where I’d end up. That’s how it started. It took seven years of work from the second time I started. I started painting and spent about six years painting and another year with Megalithica Press getting the book ready for publication. That’s the physical story of the Dream Manual.

Selections from the Dream Manual cover

What states of altered consciousness did you employ while creating the collages and paintings?

None. [laughs] I was drawing on a rich reserve of that. But, painting is an altered state of consciousness. I have a very active style of painting, so I’m standing up and I’m sorting through hundreds and hundreds of images just stacked up in front of me. I’m going through these processes of, in a way, accreting the paintings. I’d step into my studio – which is a magical workspace – and start sorting pictures and to see how they would go with different paintings. Often, I was working on three, or four, or five paintings at once. It’s definitely an altered state of consciousness. It’s a magical state of consciousness. It’s sort of like meditation in motion – I guess that’s how I’d classify it.

Did you have any interesting dreams while creating this work? That you can tell us about?

You know, that’s a hard question because I have really interesting dreams all the time, but nothing really stood out. After I was done, there have been a couple of occasions where I felt, as we were creating the book, we were sort of opening a doorway to the Ministry of Dreams. The Minister of Dreams as a character and the Ministry of Dreams as an imaginary place became quite real during the period we worked on these things. Bill and I would talk three to five times a week during the time when we were working on the Dream Manual project. He’s on the West Coast, as you are, so I would get up at five o’clock in the morning and I’d go paint for an hour and then I’d call Bill and we’d talk for half an hour. I’d have morning coffee with Bill after I’d done my painting and he’d have his tea in the evening with me. Sort of a Nokia moment.

So you were in contact with him every day while you were working on this.

Basically. Four or five times a week. A lot. We’ve actually spent more time over the telephone than we have face to face over the time we known we’ve known each other. We’ve lived together a couple of times in Florida and in Texas, but most of the time we’ve spent with each other has been incorporeal.

Dream Manual Realized

Did you meet through the Society for Creative Thought?

That’s kind of funny. We’d heard about each other for two or three years before we actually met. I was living in Tallahassee, Florida. It was the beginning of the 80s and I had started a group on campus called the Pagan/Occult Discussion Group. We we’re trying stuff out. We were a bunch of people who had read a lot and were experimenting. It started as a discussion group, but that lasted about two meetings, until we said, hey let’s try some stuff. Bill was living in Thomasville, Georgia, about an hour north of Tallahassee, and a lot of the people in the Pagan/Occult discussion group knew Bill. So, for about two or three years, we had been hearing about each other. We finally met at a very strange party and both of us had the same reaction, namely “Wow, I’m supposed to meet this guy?” We were mutually unimpressed with each other.

Shortly thereafter we met again, and this time hit it off. He used to climb through the windows at night on weekends. That was
his favorite mode of entry to the house. He’d get done with work in Georgia and would drive down to Tallahassee and, usually on Friday night about one or two morning, I’d find Bill climbing through my window.

Onward to part two…

New book from Bill Whitcomb and Michael Skrtic: Selections from the Dream Manual

Selections from the Dream Manual

Bill Whitcomb and Michael Skrtic’s new book, Selections from the Dream Manual, with an introduction by Antero Alli, is available for pre-order from Immanion Press.

Immanion Press: Selections from the Dream Manual

You can preview more of the artwork here.

Antero Alli’s sequel to Angel Tech now available

8 circuit brain

This book advances the material in Alli’s groundbreaking first book, “ANGEL TECH” (Original Falcon), a compendium of techniques and practical applications of Dr. Timothy Leary’s 8-Circuit Brain model for Intelligence Increase. After twenty-plus years of research and experimentation, Antero’s earlier findings have been significantly updated and enriched in this new body of work. Includes a comprehensive 8-week course of study and practice, the author’s “Neurological Autobiography of Outside Shocks and Hedonic Upgrades,” a forum featuring Alli’s responses to questions from former students, accounts of his in-depth encounters with Christopher S. Hyatt and Robert Anton Wilson, and much, much more (click book image for excerpt). Published by Vertical Pool.

8 Circuit Brain: Navigational Strategies for the Energetic Body

Reality Sandwich has a new interview with Antero

My interview with Antero: Part 1 and Part 2

Excerpt from Antero Alli’s new book The Eight-Circuit Brain: Navigational Strategies for the Energetic Body

You can check out an excerpt from Antero’s new book, The Eight-Circuit Brain: Navigational Strategies for the Energetic Body at Reality Sandwhich:

Antero Alli: Eight-Circuit Brain excerpt

You can buy a DVD of Antero Alli’s talk from Esozone: The Other Tomorrow from Original Falcon:

The 8-Circuit Brain DVD

(note: this is not an official Esozone product, and Esozone does not benefit financially from sales of this product).

Antero Ali interview at GPOD

Can we start with cinema. Is your film “Drivetime” about unleashing powers of chaos by using chaos magic? I do not know if I have this right?

Intriguing interpretation. Though I did not intend make “The Drivetime”as a vehicle for chaos magick, I can see how it could be experienced like that. I wrote “The Drivetime” on the heels of kicking an opium addiction while living in the seaside village of Port Townsend Washington back in 1995. Papaver somniferum blooms wild all over the streets about three months each year and I learned everything you need to know about chasing the dragon from Jim Hogshire’s book, “Opium for the Masses” (Loompanics, Ltd). I was desperate to trade up my opium addiction for an endorphin trigger that wouldn’t vanquish my libido. Inspiration hit when my friend Rob Brezsny, the astrology columnist, introduced me to his spin on the term “drivetime” which refers to the psychic overlays linking daytime and dreamtime realities. This drivetime meme exploded in my imagination and got me thinking about the interface between the aboriginal dreamtime and modern-day cyberspace.

I’m at a loss for words as to just how I upgraded my opium addiction to getting hooked on the poetic imagination but that’s what happened. The drivetime was no longer an idea in my head but an all-encompassing reality that needed an outlet besides my body and so, the momentum was on to channel these visions through the multi-tiered outlet of a cyber-fi feature film. My aim in making the film was to proffer for the viewer an experience of the drivetime as I knew it. And so, I suppose maybe I did unleash the powers of chaos using chaos magic afterall.

Full Story: GPOD

Technoccult TV’s interview with Antero Alli available on DVD

antero alli interview dvd

Our interview with Antero Alli (part 1, part 2) is now available on DVD from Original Falcon.

You can get it FREE with any Original Falcon order over $50 (before shipping and handling) or buy it here.

Technoccult TV: Antero Alli pt. 2 (updated)

Antero Alli returns to talk about Dr. Christopher Hyatt’s legacy, and how he met Robert Anton Wilson.

Update: The Myspace and Archive.org versions were cut-off at the end. Here is another version, on Google Video.

Direct link to Google Video (download available there)

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