“Over the recent Christmas season, my 21-year-old deejay nephew flipped through the large collection of vinyl LPs from the sixties, seventies, and eighties now shelved in our basement. Many is the time when I have privately cursed that collection, hauling heavy boxes of vinyl up and down steep flights of stairs on moving days. But my husband steadfastly refused to sell or pitch out anything—from the Dukes of Stratosphear to the Stranglers—and now I’m rather glad that he did. We now have a miniature museum of sound from the sixties, seventies, and eighties, complete with original shrink wraps and a few Andy Warhol covers.
But what will future generations – particularly future archaeologists—make of the hundreds of thousands of tons of vinyl recordings that our civilization pressed in the twentieth and twenty-first centuries? I expect most of you have seen that clever Pepsi commercial set in the future, where a middle-aged archaeologist leads his Pepsi-drinking students through a split level ranch house as if it were a Roman villa, and is unable to identify a dusty glass bottle of Coca-Cola. What will future researchers make of our record collections?”
(via Archaeology Magazine)
(Related: “Digital Needle- A Virtual Gramophone” by Ofer Springer)