TagHypersigil

Comic books and memetic warfare

99 muslim superhero comic book

As Scott Atran points out, these kids dream of fighting for some meaningful cause that will make them heroes in their communities. Bin Laden and Al-Zawahiri-and Arab satellite television and in some cases their own experiences-have convinced them that fighting against the most powerful country in the world and its allies is the most heroic thing they can do.

No, “The 99” comic books are not going to solve that problem. Their circulation is in the tens of thousands at this point, while bin Laden’s violent message gets out to billions. But comic books are “likely to be a lot more helpful than our bullets and bombs in attracting young people away from jihadi cool,” says Atran. They might even help convince Washington that “knowledge is the true base of power.” But maybe that’s hoping for too much.

Full Story: Newsweek.

(via Lupa)

What sort of message does this comic book send?

(Update/clarification The image above is not from The 99, it’s from Chuck Dixon’s aborted American Power series. I presented it along with the question of what message it for sarcastic rather illustrative purposes.)

Review of the MMO ‘Outside’

I came across this via Kottke. I’ve seen bits and pieces posted about Outside over the past couple months, but this is a good review of a game everyone should be dying to try:

In terms of the social environment, almost anything goes. Outside has a vast network of guilds, many of its players are active participants in designing the game’s social environment, and almost any player will be able to find company to undertake their desired group quests. On the other hand, gold-buying is rife, the outskirts of virtually every city zone in the game are completely overrun by farmers, and the developers have so far proven themselves reluctant to answer petitions, intervene in inter-player disputes, or nerf broken skills and abilities. Indeed this reviewer will go so far as to say that the developers are absent from the game entirely, and have left it to its own devices. Fortunately, server uptime has been 100% from day 1, despite there being only one server for literally billions of players.

The reviewer gives it a 7/10.

ADDITIONALLY, just reading this on the Telegraph website, which goes to show just how peculiar IRL and Outside can really be depending on what tribe you end up playing:

The Masai warriors’ guide to England
by Andrew Pierce

Six Masai warriors, who are so fierce they kill male lions with their bare hands, have been warned that surviving the perils of the African bush will be child’s play compared to what they can expect on their first trip to England. […]

"Even though some may look like they have a frown on their face, they are very friendly people — many of them just work in offices, jobs they don’t enjoy, and so they do not smile as much as they should."

The Masai men — who become warriors after tracking, running down and killing a male lion — may struggle with Greenforce’s interpretation of how English law operates.

"For example, if someone was to see a thief and chase after him and, when they catch him they hurt him, then the person who hurt the thief would go to prison as well as the thief."

Review: The Invisibles: Say You Want a Revolution

the invisibles evocation of john lennon

The Invisibles: Say You Want a Revolution.

(Disclosure: this review was commissioned by the R/evolutionary Culture Shop)

The Invisibles is a psychedelic sci-fi series about a team of anarchist freedom fighters who employ time travel, magic, martial arts, and drugs in their battle against the tyrannous Outer Church. King Mob, the group’s leader, explains: “We want to show people how to make their own exits, even if they have to use dynamite… We’re trying to pull off a track that’ll result in everyone getting exactly the kind of world they want. Everyone including the enemy.”

Grant Morrison, a Scottish comic book writer, is fond of explaining that he wrote the Invisibles in response to his alien abduction experience in Kathmandu in the 1994. He also calls it a “hypersigil,” a form of magical fiction. Morrison says that he strongly identified with the King Mob character and found that the by incorporating real aspects of his life in the series, he could make fictional aspects of the series bleed into his own life. When the series was almost canceled, he encouraged readers to use a chaos magic technique to save the series. Apparently, it worked and he was able to finish the series as planned.

The first volume begins in modern times, with the Invisibles recruiting Jack Frost – a teenage delinquent from Liverpoor who may be the next Buddha. Frost’s first mission involves accompanying the team back in time to rescue the Marquis de Sade from prison during the French revolution. Later volumes continue to sprawl backwards and forwards in time, with characters’ actions from different time periods reverberating throughout history.

Although the Invisibles begins as a romantic “good guys vs. bad guys” story, the lines begin to blur as Morrison deconstructs issues such as conformity, activism, and violence. Brilliantly complex and inherently mind altering, the Invisibles is a countercultural “must read.”

Buy The Invisibles: Say You Want a Revolution from the R/evolutionary Culture Shop.

Taxidermia, Magic Realism and Hypersigils

Taxidermia is a magic realist story spanning across three generations of a Hungarian family, focusing on the three male primal urges: sex, food and bodily prowess. It’s weird, off beat and you should definitely check it out if you’re into high weirdness .

Magic realism is a fusion of the external factors of human existence and the internal ones to more accurately depict human reality. Using obscurities, magick, symbolism and myths the fiction is able to incorporate aspects of human existence such as thoughts, emotions, dreams and imagination.

Now I know the concept of a hypersigil can be a bit clich?, but the idea’s and techniques used in magical realism could be very usefull if you were so inclined to create said device .

I found these pages on the subject of magic realism quite helpfull:
Magic Realism- Wikipedia
Sarah Orne Jewett
The Bible as Magical Realism

The Myth of Superman

Neil Gaimon and Adam Rogers in Wired:

About a decade ago, Alvin Schwartz, who wrote Superman comic strips in the 1940s and ‘50s, published one of the great Odd Books of our time. In An Unlikely Prophet, reissued in paperback this spring, Schwartz writes that Superman is real. He is a tulpa, a Tibetan word for a being brought to life through thought and willpower. Schwartz also says a Hawaiian kahuna told him that Superman once traveled 2,000 years back in time to keep the island chain from being destroyed by volcanic activity. Maybe it happened, maybe it didn’t, but it does sound like a job for Superman – all in a day’s work for a guy who can squeeze coal into diamonds. Schwartz then tells of his own encounter with Superman in a New York taxi, when he learned firsthand that Superman’s cape is, in fact, more than mere fabric.

Full Story: Wired: The Myth of Superman

Metamagical Graffiti

Wes has compiled his first four Metamagical Graffiti articles into one PDF. It looks like he’s well on his way to having a full book.

Metamagical Graffiti PDF.

Comic books as hyperglyphs

Wes Unruh delves into comic book universes and explores their egregore nature.

in part because it is published by an independant, the characters don’t become trully resonate as an egregore, but instead remain fictional devices.

More mainstream comics titles go through the hands of countless writers and artists during their run. Most of the most popular titles, The X-Men, The New Avengers, The JLA, Batman, Wonder Woman, The Amazing Spiderman and Superman, for starters, have been written and drawn by so many people that the characters themselves are now products of a vast network of minds. This seems to immdiately fulfill the requirements of at least one part of the egregore equation. My favorite DC character, John Constantine, no longer has anyone willing to take credit for his creation. In essence, at least as far as creator rights go, he has appeared of his own accord.

From: Metamagical Graffiti.

Chuck Pahlaniuk on living as a story that you’ve created

A Chuck Pahlaniuk lecture on non-protest activism, dealing with living life as a narrative of your own devising, amongst other things.

(thanks johnb!)

More on Ad’ieh from Reza

Reza Negarestani was kind enough to send some more info about Ad’ieh, an ancient Arabic hypersigil system (most commonly practiced now in the form of chain letters, but also the key to the plot of the film Ringu).

Reza:

Hi Klintron,

I was skimming through technoccult archive and read your post on Ad ieh; here is the Farsi / Arabic word if you are interested:

Ad'ieh

In Farsi the practice is called Ad?ieh Nevisi (Nevisi: writing)

Ad'ieh

Sometimes, Ad?ieh is called Khabnameh.

I guess my English spelling of the word is not correct; but maybe you can find it in Arabic / Farsi sites if you have got Arabic font installed on your machine.

There is also another brief reference to Ad?ieh / Khabnameh on my friend?s blog (Esmail Yazdanpour) but the text is in Farsi … you can read his comment under my post at hyperstition; he thinks certain types of commercial spams follow the same hyperstitional pattern of Ad?ieh Nevisi (read the examples in English):

http://mahzood.org/?p=65

There is a chapter on Ad?ieh in Ibn Asir?s History of Islam.

Best,
reza

Me:

Thanks for the info. For the record, I wasn’t trying to call you a
liar or anything, but I try to take everything I read on Hyperstition
with some… unbelief.

Reza:

Thank you … lol … no, i just thought you might be interested in more info (in connection with Hypersigil); i’ll try to find if there is an english text out there on the subject because there should be some books. btw, the unbelief-based reading is the apex of hyperstition. Hope you are doing fine.

Narrative magic/hypersigils on Sorceryforge

Nice to see running notes on this particular technique.

A hypersigil is a narrative work which includes the author (and/or other targets of the working). Aspects of the story will tie with elements of the real world targets and their pasts, and also to events and changes that have not yet happened but you want to happen. A hypersigil is intended to be read or otherwise experienced by many people, ideally as a published book.

A hypersigil can also be a work of fiction intended to bring about a change in the mental state of the reader. Beware the Golden Barge by Michael Moorcock. Flatland by Edwin A. Abbott and White Light by Rudy Rucker are both hypersigils in as much as they help open the mind of the reader to the fourth dimension and some of the various infinities.

Maybe all good fiction is a hypersigil at some level.

Sourceryforge: Narrative Magic

(via Xiombarg)

also via this article: Hypersigil wiki by some of the Barbelith crew.

© 2024 Technoccult

Theme by Anders NorénUp ↑