TagGrant Morrison

Invisible Babies = Codename: Kids Next Door

Codename Kids Next Door = The Invisibles

Danny Chaoflux on the similarities between The Invisibles by Grant Morrison and the Cartoon Network show Codename: Kids Next Door.

1: The leader, bald, wears shades, really into spy stuff.

2: Inventor/Shaman, always cracks jokes, “the weird one”, overweight [ie: Future Fanny].

3: Shes nuts.

4: Street thug with thick accent and hoodie.

5: Cool headed, laid back tomboy, specialty is stealth and investigation.

Theme : Worldwide loose knit cells operate in secret to protect and encourage freedom from tyranny.

The Antagonists : ‘The Old Gods’ and their lesser manifestations.

This has been brought up a number of places on the internet, but I wanted to shop an image to go along with it paired with a breakdown.

Sure you could say its a blatant rip off, but I think its more interesting to think of it as a starter set of key memes.

Stop Making Sense: Invisible Babies = Codename: Kids Next Door

Official Codename: Kids Next Door website.

Grant Morrison Working on Rogue Trooper Film?

Rogue Trooper

Empire Online reports Grant Morrison is attached a film based on the 2000AD character Rogue Trooper:

With all eyes on the incoming Judge Dredd movie, it makes sense that savvy producers would be looking to legendary British comic 2000AD for further inspiration. Hence the news this morning that a Rogue Trooper film is in development at Sam Worthington’s production company, and that cult comics writer Grant Morrison (Arkham Asylum, Final Crisis, Superman) is at work on the screenplay. […]

Morrison never wrote for the strip, but did provide copious Future Shocks, Zenith, and a handful of Dredds, so has plenty of 2000AD heritage. The news of a film and of Worthington and Morrison’s involvement is buried in a Daily Record story that mostly concentrates on Dinosaurs vs Aliens, the property that Morrison is currently working on with Barry Sonnenfeld. It’s an aside so sketchy that it doesn’t even come with a Morrison quote to back it up, so whether Worthington is developing the film with a view to personally slapping on the blue paint remains to be seen. We’ll bring you further details as they emerge.

Empire Online: Grant Morrison Writes Rogue Trooper Film

Rogue Trooper has already had a few video game adaptations.

Supergods, Grant Morrison’s Book on Super Heroes, Gets a Cover

SUPERGODS by Grant Morrison

Grant Morrison’s Supergods: What Masked Vigilantes, Miraculous Mutants, and a Sun God from Smallville Can Teach Us About Being Human, which is now available for pre-order from Amazon.com, now has a cover. Its release date is July 19, 2011.

(via Nerdreactor)

Grant Morrison’s Book on Super Heroes Gets a Title, Release Date

According to Amazon.com, Grant Morrison’s forthcoming book on super heroes will be called Supergods: What Masked Vigilantes, Miraculous Mutants, and a Sun God from Smallville Can Teach Us About Being Human. It’s scheduled for July 19, 2011. Here’s the description:

The first superhero comic ever published, Action Comics #1 in 1938, introduced the world to something both unprecedented and profoundly familiar: Superman, a caped god for the modern age. In a matter of years, the skies of the imaginary world were filled with strange mutants, aliens, and vigilantes: Batman, Wonder Woman, the Fantastic Four, Captain Marvel, Iron Man, and the X-Men—the list of names is as familiar as our own. In less than a century they’ve gone from not existing at all to being everywhere we look: on our movie and television screens, in our videogames and dreams. But why?

For Grant Morrison, possibly the greatest of contemporary superhero storytellers, these heroes are not simply characters but powerful archetypes whose ongoing, decades-spanning story arcs reflect and predict the course of human existence: Through them, we tell the story of ourselves. In this exhilarating book, Morrison draws on history, art, mythology, and his own astonishing journeys through this alternate universe to provide the first true chronicle of the superhero—why they matter, why they will always be with us, and what they tell us about who we are.

It’s now available for pre-order. No cover art yet, though.

(Thanks Ian!)

Last Day to Sign-up for The Invisible Community College

Our Sentence is Up

You have just over 24 hours to sign-up for The Invisible Community College if you have not done so already. Please see this post for more information. Enrollment ends at 5:00 PM PST January 23, 2011.

Registration is now closed.

Announcing The Invisible Community College – a Study Group on The Invisibles

Our Sentence is Up

The Invisible Community College is a study group dedicated to Grant Morrison’s The Invisibles moderated by Popjellyfish, Trevor Blake and me. Weekly reading assignments will be sent to a mailing list for one year beginning January 23, 2011. If you would like to participate, you must sign-up for the mailing list before then.

There will be monthly public, in-person discussions in Portland, OR based on the reading. Those in other cities are encouraged to organize their own study cells.

Registration is Now Closed

‘The Invisibles’ by Grant Morrison.
‘Our Sentence is Up’ by Patrick Meane
‘Anarchy For The Masses’ by Patrick Neighly
‘Grant Morrison’ by Patrick Meaney

The Invisibles
Available as individual issues, in digital form for the iPad, collected trade paperbacks and in an incomplete form in German-language trade paperbacks. Individual issues out of print, include letters to and from GM not collected in trade paperbacks. Trade paperbacks in print, include art not found in individual issues.

Individual monthly issues published by DC Comics 1994 – 2000:
Volume 1 Issues 1-25: September 1994 – October 1996
Volume 2 Issues 1-22: February 1997 – February 1999
Volume 3 Issues 12-1: April 1999 – June 2000

Individual Digital Issues
Available through DC Comics app for the iPad

Trade Paperbacks (English):
1. Say You Want a Revolution. (ISBN 1-5638-9267-7)
2. Apocalipstick. (ISBN 1-5638-9702-4)
3. Entropy in the UK. (ISBN 1-5638-9728-8)
4. Bloody Hell in America. (ISBN 1-5638-9444-0)
5. Counting to None. (ISBN 1-56389-489-0)
6. Kissing Mister Quimper. (ISBN 1-5638-9600-1)
7. The Invisible Kingdom. (ISBN 1-4012-0019-2)

Trade Paperbacks (German, incomplete):
Invisibles Monstereditionen 1: Revolution Gefallig?
Invisibles Monstereditionen 2: Ordnung & Entropie

Patrick Meaney: Our Sentence is Up / Seeing Grant Morrison’s The
Invisibles. Book. (ISBN 978-0578032337)
Patrick Neighly and Kereth Cowe-Spigai: Anarchy For The Masses / The
Disinformation Guide To The Invisibles. Book. (ISBN 0-971-39422-9)
Patrick Meaney (director): Grant Morrison / Talking with Gods. DVD.

Grant Morrison is on Twitter

Grant Morrison

The unofficial Grant Morrison Twitter account has been turned over to Grant Morrison and his wife Kristan. Or at least that’s what’s been tweeted from the account. There’s no confirmation on the official Grant Morrison web page, but that site hasn’t been updated in a couple years. Arthur Magazine tweeted about the new account, so it seems legit. Let’s just hope they keep the Twitter account updated!

And via that Twitter account, there’s a new interview with Mr. Morrison up on Wired now.

Update: Bleeding Cool also reported this.

Grant Morrison’s New Movie, SINATORO


Apparently just announced at San Diego Comic Con:

This is the poster for the psychedelic revenge thriller Sinatoro, for which comic book legend Grant Morrison will be writing the screenplay. […]

The film’s producers are Zdonk with video director Adam Egypt Mortimer on board. Grant Morrison describes the film as “a hallucinatory road-trip into the American psyche, and it evolved into a unique and genre-busting project, worthy, we hope, of a new way of thinking about movies.”

Bleeding Cool: Grant Morrison’s New Movie, SINATORO. And You Will Be Invited To Get Involved.

Looks like a late 90s Vertigo title. We’ll see if it actually happens… here’s hoping!

Grant Morrison’s Indian Mythology Comic 18 Days, Interview and Preview

18 DAYS by Grant Morrison and Mukesh Singh

18 DAYS by Grant Morrison and Mukesh Singh

For the 18 Days version, we took the Mahabharata’s descriptions of vimanas and astras very literally as accounts of ancient advanced technology and created a vision of the battle at Kurukshetra which combines traditional images of the Mahabharata with a kind of Vedic sci-fi approach which adds a new freshness and modernity to the story. This version is less about trying to create a historically-accurate representation of conflict in ancient India and more about emphasising a timeless, universal and mythic vision that has as much to say about the world we live in today as it does about the past. The transmission of the Bhagavad Gita at the heart of the story opens the way for a metaphorical spiritual understanding of the conflict as the war between desire and duty, the material and the spiritual, that is fought every day by every human being.

The Gita, with its direct, no-nonsense guide to living in the odd universe we all share, is at the very heart of the story, in the sense that everything else revolves around that moment when Krishna lays it on the line for Arjuna.

Newsarama: Grant Morrison Wages War Using Indian Mythology for 18 DAYS

Grant Morrison interview in the Onion AV Club

Grant Morrison

AVC: A lot of your writing deals with bizarre, speculative concepts. Is that informed by your reading of nonfiction? Do you read a lot about cutting-edge science?

GM: I read loads of science stuff. Science, anthropology, occult stuff… just weird fringe ideas. Those are always helpful to people who do superheroes. So yeah, that stuff goes in. But to me, it’s mostly about experience. The books are helpful to maybe provide metaphor, but for me, it’s about real life. If my dad dies and I’m writing about something like that in All-Star Superman, suddenly I’ve got a story which I may never have had if my dad hadn’t died. So what is the Faustian pact in that one? [Laughs.] But it’s mostly that. It’s things that happen in real life, and feelings that you have that you’ve got to get out, and I think that superhero comics in particular are really useful for talking about big emotions and feelings, and personifying and concretizing symbols.

AVC: Back when you were writing Animal Man, you mentioned that a lot of what you were writing in the book ended up happening in your life shortly afterward, as though you were conjuring events.

GM: Yeah, because I think the only way you can get something out is to invest some real emotion into it, which means you’re already writing about what’s going to happen to you, whether you know it or not. That’s why I’m always surprised when people talk about writer’s block. Because to me, it can’t be stopped. Every news item you see, every thought you have, every strange soap-opera event that happens in my life can be translated into a story and make that story mine. So for me, all that stuff… that’s me, that’s my life. That’s where the engine comes from to write it. I don’t only get it from books.

Onion AV Club: Grant Morrison

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