Too Much To Dream author Peter Bebergal interviews Alan Moore for The Believer:
BLVR: So in writing, whether you’re trying to inhabit a metaphysical being or trying to inhabit someone living in a poor neighborhood, unless you can inhabit them with compassion, and inhabit them with understanding, they’ll never be a believable character otherwise.
AM: Right, the character will be limited, and so will you. When I was doing V for Vendetta years ago, and I started to introduce the Nazi heads of this totalitarian state in the far-flung future of 1997, I’d been marching against the National Front and taking part in the Rock Against Racism marches, and I realized that I can’t just portray Nazis as bad guys, because everybody knows that, and you’re not saying anything. You’re contributing to the myth that they were somehow separate from the rest of humanity, which they weren’t. The Nazis were just ordinary human beings who got caught up in something very bad and, at the time, rather unprecedented. This is not to excuse their behavior, obviously, it’s simply to point out that it doesn’t do you any service to demonize any group of people. It’s much better to try and understand from the inside.
There was a scene in Promethea where the character is confronted by a horde of demons, and the way that she decides to deal with them is by owning them, by identifying each demon’s qualities and saying, “Yes, I’ve done that; yes, I accept responsibility for that,” at which point she actually physically eats the demon that she’s referring to. What a lot of magic is about is coming to your own individual terms with the universe, which is to say yourself, given that the entirety of the universe that is observable to you or me is that which actually exists inside our heads. And coming to an understanding of those things made me a little bit bigger because I had a part of my mind that could look with compassion at a class of people that I had never been able to do that with before. Not to like them any more, but to understand them.
Full Story: The Believer: Alan Moore